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THE YOUNG INFERNO

“In the middle of my childhood wonder / I woke to find myself in a forest / that was—how shall I put it—wild and sombre.” Using Dante’s Inferno as his model, Agard sends a teenage narrator on a tour of Hell, squired by a fable-spouting Aesop rather than Virgil and encountering not only Charon, Mammon and their traditional like but Einstein and the Furies, here pictured as a street gang. Despite Kitamura’s jagged, smudgy black-and-white figures (some of which will be recognizable to contemporary readers), the trek never acquires much emotional or poetic intensity as, unlike Dante, the author seldom names names, finishes up in an abbreviated 13 Cantos and skips over any mention of Lucifer. He also closes by having the narrator hook up with Beatrice (billed by Aesop with a wink as “The Good Fairy”) in the library: “I danced in the chemistry of her eyes / and I could have chilled out there for ever.” Steer readers who can’t face the original to Marcus Sanders and Sandow Birk’s weirdly campy but grand illustrated rendition, Dante’s Divine Comedy (2004). (Poetry. 12-15)

Pub Date: July 1, 2009

ISBN: 978-1-84507-769-3

Page Count: 80

Publisher: Frances Lincoln

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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SKYWARD

From the Skyward series , Vol. 1

Sanderson (Legion, 2018, etc.) plainly had a ball with this nonstop, highflying opener, and readers will too.

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Eager to prove herself, the daughter of a flier disgraced for cowardice hurls herself into fighter pilot training to join a losing war against aliens.

Plainly modeled as a cross between Katniss Everdeen and Conan the Barbarian (“I bathed in fires of destruction and reveled in the screams of the defeated. I didn’t get afraid”), Spensa “Spin” Nightshade leaves her previous occupation—spearing rats in the caverns of the colony planet Detritus for her widowed mother’s food stand—to wangle a coveted spot in the Defiant Defense Force’s flight school. Opportunities to exercise wild recklessness and growing skill begin at once, as the class is soon in the air, battling the mysterious Krell raiders who have driven people underground. Spensa, who is assumed white, interacts with reasonably diverse human classmates with varying ethnic markers. M-Bot, a damaged AI of unknown origin, develops into a comical sidekick: “Hello!...You have nearly died, and so I will say something to distract you from the serious, mind-numbing implications of your own mortality! I hate your shoes.” Meanwhile, hints that all is not as it seems, either with the official story about her father or the whole Krell war in general, lead to startling revelations and stakes-raising implications by the end. Stay tuned. Maps and illustrations not seen.

Sanderson (Legion, 2018, etc.) plainly had a ball with this nonstop, highflying opener, and readers will too. (Science fiction. 12-15)

Pub Date: Nov. 6, 2018

ISBN: 978-0-399-55577-0

Page Count: 528

Publisher: Delacorte

Review Posted Online: Sept. 29, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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