WHEN CREATURE MET CREATURE

When two creatures meet, the language skills of one enhance both their lives.

Creature-Of-No-Words—a large, orange being—lacks the words to articulate his experiences. But silence isn’t problematic when Creature-Of-No-Words is gazing peacefully out to sea or happily flinging pebbles skyward. Whether eating something yummy or warming himself by a fire, he seems self-sufficient despite his wordlessness. Yet at other times, he becomes deeply despondent. He thumps his chest, emits “a deep-down belly groan,” and cries. On one such day, the smaller Creature-Of-Words happens by. She knows how to name her moods, that something delicious is a “Treat! Treat!”—and that this big, sad creature needs a “Hug! Hug!” Award-winning poet Agard’s pithy triplets are laced with occasional rhymes. Kitamura’s illustrations, filled with all-over patterns for orange fur, tree bark, and greenery, reinforce Agard’s suggestion that Creature-Of-Words introduces not only language, but civilization. “From that day the two of them lived / together in a house where words also lived, / which was all well and good.” The duo are now silhouetted inside a conventional home (not the male’s previous cave), with word bubbles drifting from the chimney like balloons. The pair’s respective companions—birds and small mammals—form harmonious bonds, too. When enough has been said, all enjoy the “sweet silence” of a “no-words night beside the fire.”

Quirky, earnest—and sweet, indeed.