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THE EMERGING DEMOCRATIC MAJORITY

Politicians, campaign strategists, and trend-watchers will find much to ponder—or fret over, depending on where they sit.

Liberals, take heart: the day is fast approaching when Newt Gingrich and George Bush will be forgotten names in a better America.

So prophesy New Republic editor Judis (The Paradox of American Democracy, 2000, etc.) and Century Foundation fellow Teixeira (The Disappearing American Voter, not reviewed) in this slender but not slight study published just in time for the midterm election, which should test some of their assumptions. Now inured to the culture of postindustrial capitalism, Americans are inclined to a political center that appears more and more progressive, the authors write; “they want government to play an active and responsible role in American life, guaranteeing a reasonable level of economic security to Americans rather than leaving them at the mercy of the market and the business cycle.” Conservative Republicans had their day, Judis and Teixeira add, in a time when most people seemed bent on repudiating the values of the 1960s; but voters are discovering that some of those values were not so bad, while Republicans “are putting forth remedies for problems that no longer exist and ignoring problems that do.” More and more voters are thus casting their ballots in favor of socially progressive candidates, a trend that is particularly pronounced in former conservative bastions such as Florida, southern California, North Carolina’s Research Triangle, and the suburbs of Washington, D.C.—as well as the suburbs of Any City, U.S.A.: “In the past, cities like Chicago, Philadelphia, and San Francisco were Democratic, while the surrounding suburbs were Republican. Now the entire metropolitan area in many of these locations has become solidly Democratic.” Backing their forecast with solid data from recent elections and censuses, Judis and Teixeira predict a significant and decisive shift toward a true Democratic majority in both houses of Congress, perhaps within an election or two.

Politicians, campaign strategists, and trend-watchers will find much to ponder—or fret over, depending on where they sit.

Pub Date: Oct. 1, 2002

ISBN: 0-7432-2691-7

Page Count: 224

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2002

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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