Wonkish but of broad interest to students of geopolitics, international affairs, and economics.
The longtime political journalist limns the rise of Trumpian nationalism in the face of a bewilderingly global world.
The word “cosmopolitan” is freighted, but Talking Points Memo editor at large Judis (The Populist Explosion: How the Great Recession Transformed American and European Politics, 2016, etc.) does not hesitate to put it to work in characterizing the current political rift between left and right not as a battle between nationalists and liberals but as one between nationalists and cosmopolitans, namely metropolitan or college town–dwelling elites who own a passport, have graduated from good schools, and make up the upper rungs of the professions. “When Trump supporters blame America’s ills on liberals,” writes the author, “they are generally talking about cosmopolitans.” The words aside, the central point is that Trump’s left-leaning opponents tend to favor open borders, his supporters walls and immigration bans. Trump was able to leverage these worldviews—social psychologies, even, to trust Judis—to present the case that Americans were being robbed of their patrimony. “He had been complaining since the late 1980s,” notes Judis, “about America losing out on trade to Japan and then China and being taken advantage of by its allies in Europe.” After surveying its history, the author argues that some form of nationalism is useful as a “framework within which citizens and their governments deliberate about what to do—and justify what they have done." In this regard, a nationalist ideology need not necessarily be bigoted or exclusive; Judis argues that nationalism is “an essential ingredient of political democracies” while allowing that it can also underlie authoritarianism and fascism. Against this background, the author proposes that Trumpian nationalism, a zero-sum game in which there are only winners and losers, need not be the only alternative to an internationalism by which nations cede sovereignty, as with the European Union. Indeed, he suggests, international cooperation is best effected by sovereign nations at whose helm is a single great power, as with Great Britain in the 19th century and—well, perhaps China in the 21st.
Wonkish but of broad interest to students of geopolitics, international affairs, and economics.Pub Date: Oct. 9, 2018
ISBN: 978-0-9997454-0-3
Page Count: 140
Publisher: Columbia Global Reports
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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