An intriguing puzzle box that is variously enchanting and frustrating.
Irish writer Banville once again mines past work for characters and a challenging narrative.
It begins with a released prisoner and a pun on sentence. The man adopts the new name Felix Mordaunt and travels to his family’s home in Ireland, but he finds it transformed, occupied by other people. Still, they take him in, and soon it becomes clear that he is Freddie Montgomery, who inhabited a trilogy by Banville starting with The Book of Evidence (1990). His hosts are Helen and Adam Godley, son of the Adam Godley who lay dying in The Infinities (2010) and whose work as a theoretical mathematician posited, inter alia, alternative universes. The household expands yet again when Adam Jr. hires a professor named William Jaybey (William John Banville is the author’s full name) to write a biography of Adam Sr. with the stipulation that he work in the Godley house. The extended ménage exhibits a meandering busyness, with couplings and hoped-for couplings, spying and pilfering, and frequent excursions to the past. Felix/Freddie revisits the death of his wife and only son. He reconnects with an old lover who has an odd request and who also is tied to Adam Sr. The latter is seen with a lover in Venice. Banville doesn’t offer a conventional plot or clear theme, but he does fashion alternative universes with his recurring, repurposed characters, and all his players find in the past an alternative world they can't help dwelling on. To a great extent, Banville seems simply to revel in the delights of creativity, piling up wordplay and allusions (to Joyce, Flaubert, Lewis Carroll, Nabokov), playing the god of his literary realm, and all this with constant flashes of exquisite writing.
An intriguing puzzle box that is variously enchanting and frustrating.Pub Date: Oct. 25, 2022
ISBN: 978-0-525-65517-6
Page Count: 320
Publisher: Knopf
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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