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FINITY

College professor Lyle Peripart, the descendant of American expatriates, tries to ignore the various Reichs that rule the world following the Axis victory in WWII over a century ago, until the powerful industrialist Geoffrey Iphwin, interested in Lyle’s clever statistical analyses, hires him. After the interview, he’s beaten and interrogated by the fearsome female Gestapo operative, Billie Beard—but her questions are baffling. Stranger still, it emerges that Lyle managed to be in two places at once: while he was being interviewed, he was also flying to Saigon with his fiancÇ, Helen Perdita. Shrugging, Lyle joins Helen in Saigon, where a fat German tourist tries to assassinate him. Helen, suddenly packing a pistol, blasts the assailant—who turns out to be Billie Beard! Moreover, Helen now denies she can shoot, and claims she saw Lyle killed. In the history she remembers, the Allies won WWII, but America lost a nuclear war in the 1980s. Confused? According to Iphwin, since the introduction of quantum computing devices, every time someone uses a phone, or switches on a computer, he or she jumps into another reality, of which there are an infinite number. Iphwin himself is a human avatar of a “cyberphage,” an artificial intelligence patrolling the realities as a sort of super System Administrator. Even more puzzling, America has disappeared from every reality: just trying to think about it causes pain and confusion. The cyberphage wants to know why. The opposition—Billie Beard is its avatar—is cleaning up the system by killing anyone who knows anything. Eventually, we learn why America disappeared and, disappointingly, how it all comes out. From the author of Earth Made of Glass (1998), etc, a virtuoso piece of probability-juggling that mostly adds up—until that dreadfully anticlimactic non-ending brings you back to, er, reality with a thump.

Pub Date: March 11, 1999

ISBN: 0-312-86118-4

Page Count: 304

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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MORNING STAR

From the Red Rising Trilogy series , Vol. 3

An ambitious and satisfying conclusion to a monumental saga.

Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.

This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”

An ambitious and satisfying conclusion to a monumental saga.

Pub Date: Feb. 9, 2016

ISBN: 978-0-345-53984-7

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Dec. 8, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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