An engaging book about accepting endings and celebrating beginnings.
In Bray’s picture book, readers learn the value of starting and finishing activities.
Endings are hard. Many kids struggle with finishing one task and moving on to another, but, as this book points out, “THE END of one thing is the beginning of something else. And the beginning of one thing is THE END of another. And that’s okay.” The text offers more guidance than narrative, providing many examples of how the start of one task (reading, adventuring, matching up socks, and so on) means another is being left behind, or how being in the middle of things can be fun but eventually becomes a snooze: “Boredom is THE END of fun.” The art reflects the text’s sentiments but also tells its own story of a pigtailed, dinosaur-loving child who joyfully heads into a school’s summer vacation, has adventures with their cat, then returns to school in the fall and makes a new friend. (The unnamed child has light brown skin and straight hair; the friend has dark brown skin and curly hair.) Cleland’s illustrations are charmingly whimsical, and characters’ faces are beautifully expressive even though the protagonist never says a word. They’re a perfect fit for the playful, lively text that explains the good and bad elements of concluding things without ever talking down to its audience.
An engaging book about accepting endings and celebrating beginnings.Pub Date: Sept. 13, 2022
ISBN: 978-1-951784-12-6
Page Count: 32
Publisher: Starry Forest
Review Posted Online: Aug. 11, 2022
Kirkus Reviews Issue: Oct. 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A comical, fresh look at crayons and color.
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
SEEN & HEARD
SEEN & HEARD
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