Young audiences will relish the outcome of this simple trickster tale and likely be startled into laughter by its edgy...
Burningham charges up selected and rearranged illustrations from one of his early works with a new text that adds considerable bite.
Retold in the 1968 version (titled The Extraordinary Tug-of-War) by Letta Schatz from an Ethiopian tale, the story features a clever hare who challenges scornful Hippo and Elephant to a tug of war, then puts them on opposite ends of the same rope. Burningham does away with the original’s now-stodgy folklorese: “And Elephant would bellow, billowing with laughter, ‘Ho, Hare! I hear you are called “Big Ears!” Big Ears! You! Please look at me!’ ” He replaces it with contemporary, and much more abusive, language: “And Elephant would say, ‘Hare, you really are a feeble idiot, with your twitching nose and whiskers. That’s all you have.’ ” By the time the animal dupes discover the deception and vow revenge (“Let’s get the little runt!”), Hare is long gone. In contrast to the sharp tone of the text, though the trim size of this new edition is only about an inch more all around, the spattered, scribbly illustrations look overly enlarged, with diffuse lines and dimly lit, indistinct details. No matter: They still serve to convey the thwarted bullies’ bulk and rage.
Young audiences will relish the outcome of this simple trickster tale and likely be startled into laughter by its edgy language. The little runts. (no source note) (Picture book/folktale. 5-8)Pub Date: Aug. 6, 2013
ISBN: 978-0-7636-6575-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 7, 2013
Kirkus Reviews Issue: June 1, 2013
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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