A sobering, carefully written assessment of ongoing inequalities dotted with small victories.
One of our most prolific sportswriters examines race and racism in sports.
Black players are prevalent in many areas of professional and college sports. Of the front office and the coaching staff, writes Feinstein, the representation is more skewed. One of the subjects of this fine book is George Raveling, the pioneering Black coach who took the helm of Washington State’s basketball program in 1972 and led it to two NCAA tournaments. “Where I grew up,” he tells Feinstein, “if you were Black, there wasn’t much chance to dream. It was all about survival.” Nonetheless, during his time at Villanova, Raveling played alongside 10 other Black students, all of whom were exemplary: All graduated in four years, half have doctorates, one earned a gold medal in the Olympics, another headed a major corporation. Given equal opportunities, executive performance by Black and White coaches is, yes, equal. However, as Feinstein notes, only one NFL coach has ever been fired after a 10-6 season, and that one was Lovie Smith, who is Black—even though he had led the Chicago Bears to a Super Bowl and three playoff berths and been named Coach of the Year. Protests sometimes make a mark, but mostly not. Even with the famed case of Colin Kaepernick and the spread of his custom of taking a knee, the result has been mostly White rage. One Sunday soon after Kaepernick’s first protest, Feinstein notes, “more than two hundred NFL players either knelt or stayed in the locker room during the playing of the anthem. The issue came roaring back—which may have been what Trump wanted: make white America angry at Black America.” Racial tension is endemic and at every level of the game. As Feinstein writes near the end, only a few analysts and sportswriters are Black, and no matter what the race, all “are under what amounts to a gag order on air,” forbidden to raise thorny issues.
A sobering, carefully written assessment of ongoing inequalities dotted with small victories.Pub Date: Nov. 16, 2021
ISBN: 978-0-316-54093-3
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Aug. 30, 2021
Kirkus Reviews Issue: Sept. 15, 2021
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
SEEN & HEARD
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SEEN & HEARD
Basketball fans will enjoy Pippen’s bird’s-eye view of some of the sport’s greatest contests.
The Chicago Bulls stalwart tells all—and then some.
Hall of Famer Pippen opens with a long complaint: Yes, he’s a legend, but he got short shrift in the ESPN documentary about Michael Jordan and the Bulls, The Last Dance. Given that Jordan emerges as someone not quite friend enough to qualify as a frenemy, even though teammates for many years, the maltreatment is understandable. This book, Pippen allows, is his retort to a man who “was determined to prove to the current generation of fans that he was larger-than-life during his day—and still larger than LeBron James, the player many consider his equal, if not superior.” Coming from a hardscrabble little town in Arkansas and playing for a small college, Pippen enjoyed an unlikely rise to NBA stardom. He played alongside and against some of the greats, of whom he writes appreciatively (even Jordan). Readers will gain insight into the lives of characters such as Dennis Rodman, who “possessed an unbelievable basketball IQ,” and into the behind-the-scenes work that led to the Bulls dynasty, which ended only because, Pippen charges, the team’s management was so inept. Looking back on his early years, Pippen advocates paying college athletes. “Don’t give me any of that holier-than-thou student-athlete nonsense,” he writes. “These young men—and women—are athletes first, not students, and make up the labor that generates fortunes for their schools. They are, for lack of a better term, slaves.” The author also writes evenhandedly of the world outside basketball: “No matter how many championships I have won, and millions I have earned, I never forget the color of my skin and that some people in this world hate me just because of that.” Overall, the memoir is closely observed and uncommonly modest, given Pippen’s many successes, and it moves as swiftly as a playoff game.
Basketball fans will enjoy Pippen’s bird’s-eye view of some of the sport’s greatest contests.Pub Date: Nov. 9, 2021
ISBN: 978-1-982165-19-2
Page Count: 320
Publisher: Atria
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
SEEN & HEARD
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