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THE RUNAWAY BELLY BUTTON

A droll tale with a simple message.

A little girl’s neglected belly button takes off on an adventure.

Grace, a cute, quickly sketched girl with tawny skin and a straight black pageboy, excels at getting dirty, but she is also pretty good at getting clean. Most of her body parts get attention in the bath, but not Belly Button. So one day, an unbearably filthy Belly Button decides that she has had enough. She detaches and races out the door! A round figure sporting a haircut like Grace’s and sticks for arms and legs, Belly Button charges into the great unknown. She finds a way to get herself clean but also runs into some unexpected excitement, getting both lost and dirty again. Unsurprisingly, she has a change of heart. Both Belly Button and Grace have a renewed appreciation for each other in the end, but the sly final page reminds readers of yet another unwashed body part….While the story is amusing and the illustrations appealing, the overall experience has little heft. As a reminder to children to wash all their body parts in the bath it works, but without a stronger element of friendship and adventure, it feels a bit thin. Charming depictions of Grace and Belly Button, with their rough outlines and dot eyes, are counterbalanced by a few confusing spreads without enough textual support. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 27% of actual size.)

A droll tale with a simple message. (Picture book. 3-7)

Pub Date: Sept. 15, 2020

ISBN: 978-1-250-20284-0

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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