A droll tale with a simple message.
A little girl’s neglected belly button takes off on an adventure.
Grace, a cute, quickly sketched girl with tawny skin and a straight black pageboy, excels at getting dirty, but she is also pretty good at getting clean. Most of her body parts get attention in the bath, but not Belly Button. So one day, an unbearably filthy Belly Button decides that she has had enough. She detaches and races out the door! A round figure sporting a haircut like Grace’s and sticks for arms and legs, Belly Button charges into the great unknown. She finds a way to get herself clean but also runs into some unexpected excitement, getting both lost and dirty again. Unsurprisingly, she has a change of heart. Both Belly Button and Grace have a renewed appreciation for each other in the end, but the sly final page reminds readers of yet another unwashed body part….While the story is amusing and the illustrations appealing, the overall experience has little heft. As a reminder to children to wash all their body parts in the bath it works, but without a stronger element of friendship and adventure, it feels a bit thin. Charming depictions of Grace and Belly Button, with their rough outlines and dot eyes, are counterbalanced by a few confusing spreads without enough textual support. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 27% of actual size.)
A droll tale with a simple message. (Picture book. 3-7)Pub Date: Sept. 15, 2020
ISBN: 978-1-250-20284-0
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A comical, fresh look at crayons and color.
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
SEEN & HEARD
SEEN & HEARD
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