Terrifically exciting and likable first novel about tax lawyers and the Mafia, and a predictable success already sold to the movies, etc. Grisham does not cut as deep or furnish the occasional shining paragraph that Scott Turow does, but he writes a stripped, cliche-free page that grips and propels. Mitchell McDeere, married and tops in his class at Harvard, has great offers from several firms and is hungry for success. When Bendini, Lambert & Locke of Memphis snows him with money, a new BMW, a low-interest mortgage financed by the company, a huge clothing allowance and other incredible perks, (including early retirement as a multimillionaire), he seems to have landed in fairyland. Nothing is too much for the one new man a year the firm takes on. All that's required from him in a 90-hour week for several years and a fast hand at billing clients. Most of the firm's clients, seemingly all wealthy and ready to be billed unlimitedly, are content not to question the firm's methods at relieving their tax strain. For a while all looks legal. Then McDeere learns of the heavy mortality rate among the firm's lawyers: no one ever quits Bendini, Lambert & Locke. They die. It turns out that while the firm has many clients with clean hands, it nonetheless was set up by the Mafia as a pumphouse for siphoning drug dollars and other untaxed cash into phony corporations set up in the Cayman Islands. In fact, the firm's lavish Lear jet regularly hauls tons of US legal tender down to the islands with their hundreds of tax-haven banks and secret numbered accounts. Then the FBI chooses McDeere to be its chief informant and offers him its Witness Protection Program; otherwise, McDeere will be swept up in the forthcoming crackdown on the firm. Although the firm knows McDeere is a spy and sets him up for assassination, he is smarter than even the reader knows and fights back against both the firm and the FBI. Hallucinatory entertainment.
Pub Date: March 15, 1991
ISBN: 0440245923
Page Count: 555
Publisher: Doubleday
Review Posted Online: Sept. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1991
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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