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FREE FALL TO BLACK

From the Buck Reilly Adventure Series series , Vol. 6

A lively thriller with plenty of unexpected developments.

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In this prequel to Cunningham’s (Maroon Rising, 2015, etc.) adventure series, a treasure hunter’s quick rise to fame and wealth takes a nose dive, due to circumstances involving deceit and murder.

By 2006, Buck Reilly’s treasure-hunting company, e-Antiquity, which he co-founded and owns with Jack Dodson, has enjoyed its share of success. But when Buck finds a Serpent King’s tomb, filled with numerous artifacts, in the former Mayan city of El Mirador, it causes his company’s stock to skyrocket. This is accompanied by lavish media attention, primarily aimed at Buck, in part due to his relationship with supermodel Heather Drake. Their honeymoon in the British Virgin Islands, however, is ruined when Buck ends up wrongfully jailed for murder. He narrowly avoids a conviction, but the damage, it seems, is done. The company’s stock drops, and the public revels in reports that Buck’s latest archaeological sites are turning up nothing. This puts a strain on both his marriage and his relationship with Jack, who’s handling the company’s financial side. Soon, Interpol and the FBI are knocking on e-Antiquity’s doors, accusing Buck of all sorts of other crimes. Cunningham’s zigzagging plot is invigorating, as Buck faces a range of threats, from potential arrest to an estranged wife. A few of the plot turns are predictable, even for readers who may be new to the series, but most prove to be genuinely surprising. The author’s confident narrative voice adds weight to the narrative, whether the mood is light (Buck and Heather “making a dedicated effort to flatten out the lumpy mattress”) or baleful (“The bright light of reality made me wince,” notes Buck as he faces possible charges). Many secondary characters are multilayered, as well, such as the shrewd, professional research partner Scarlet Roberson and Buck’s underhanded, meticulous betrayer.

A lively thriller with plenty of unexpected developments.

Pub Date: March 26, 2017

ISBN: 978-0-9987965-0-5

Page Count: -

Publisher: Greene Street, LLC

Review Posted Online: May 11, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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