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THE LIGHT OF COMMON DAY

Second-novelist Herman (The Weight of Love, 1995) chooses a genre—adolescent coming of age—that as book editor he must have seen in an excess beyond measure. To his credit, though, albeit amid many an echo of Wolfe, Fitzgerald, Knowles, and Salinger, he turns his version of the far too oft-told tale into a readable pleasure. Paul Werth goes to Highgate, a prep school just north of Manhattan, where many of his classmates live, though he himself is from ``the suburb'' where the school is located. Paul is a sophomore, in the spring of 1962, a time, Herman announces, ``when boys still wore their hair short and the United States was not at war in Vietnam and America had not yet heard of drugs or rebellion or failure. . . . `' Maybe so, but drugs are still one of the twin mainsprings making Herman's plot go round: Somebody is selling inside the school, and the headmaster is going to find out who. How could thoughtful, introspective Paul, a subtle thinker and omnivorous reader, conceivably be involved? Well, the second mainspring is that Paul's father died just 14 months before the book's opening—an event that plunged Paul not only into girl trouble, homework trouble, and a hitting slump in baseball, but into wondering whether life might be ``literally without meaning.'' He really could be drug-involved, in other words, not to mention that he's also friends with the devilishly cavalier Philip Richards, a character suspicious indeed. During the raveling of Paul's classically expectable fate, Herman is at his Fitzgeraldian best in describing parties, people's looks, the smells and feels of places—and the past. Very possibly best and truest in the book—and saddest—is Paul's passionate, long-ago, grade-school love affair with little Cassandra, who only too soon. . . . But let that stay unsaid. Herman has grown since his first book. Even working against the pitfalls of a wildly overused genre, he's able to bring in light, color, feeling, and life.

Pub Date: May 6, 1997

ISBN: 0-385-48318-X

Page Count: 304

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1997

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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