by John Kelly & Cathy Tincknell & illustrated by John Kelly ‧ RELEASE DATE: Sept. 1, 2004
Digital art in an accomplished, painterly style adds both noir atmosphere and plenty of sight gags to this tale of two unsuspecting gourmands who accept an invitation to a weekend’s feasting at the home of a mysterious new neighbor. Glenda and Horace Pork-Fowler, a goose and a pig, respectively, are initially put off when their host fails to appear, but that doesn’t last long as—thanks to an elaborate set of robotic arms—full tables, a stuffed fridge, bountiful picnic hampers, and comfy beds await them. For readers who miss the clues provided by Eatum Hall’s collection of art featuring wolves and prey, and shelves filled with wolfish bric-a-brac, Kelly provides glimpses of a snout withdrawing into the shadows, a furry silhouette watching a bank of closed-circuit TV screens, and a blueprint for an oversized pie-making appliance. When that device fails beneath the weight of its rotund intended victims, the Pork-Fowlers obliviously motor back to their own home, Dunfastin, leaving readers to admire their unwavering devotion to mealtime—and to laugh as their supposed nemesis is hoist by his own pie-tard. A confection, but a delicious one. (Picture book. 6-9)
Pub Date: Sept. 1, 2004
ISBN: 0-7636-2594-9
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2004
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by Lois Lowry & illustrated by Middy Thomas ‧ RELEASE DATE: Sept. 1, 2002
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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