by John Lewis Gaddis ‧ RELEASE DATE: May 1, 1997
An elegantly written, vivid history of the early years of the Cold War, culminating with the Bay of Pigs crisis. Noting that the flood of materials from archives in this country and abroad has substantially deepened, and sometimes considerably altered, scholars' view of events, veteran Cold War historian Gaddis (The United States and the Origins of the Cold War, 1972, etc.) has set out to provide an overview for a general audience of the leaders, policies, and international crises that shaped the late 1940s to the early '60s, concentrating on the two great antagonists, the US and the Soviet Union, and their leaders. While no one figure shaped the Cold War, Stalin came closest, injecting an obsessive paranoia, duplicity, and an aura of menace into the relations among postWW II states. ``Suspicion, distrust, and an abiding cynicism were,'' Gaddis observes, ``not only his preferred but his necessary environment.'' And while these qualities, along with an extraordinary capacity for cruelty, extended and preserved the USSR, they also, Gaddis argues, ensured its downfall. ``The killings Stalin authorized, the states he seized . . . the sphere of influence he imposed provided no lasting security for the Soviet Union.'' They inspired resistance that, when Soviet leaders lost the taste for repression, could not be contained. In a series of chapters on American and Russian conflicts in the third world, on the place of nuclear weapons in the uncertain balance of power, and on the increasingly uncomfortable relations between America and Russia and their respective allies, he does a superb job of synthesizing a wide range of sources, drawing clear and persuasive lessons from events. His reading of the motivations of figures as diverse as John F. Kennedy and Chairman Mao seems balanced and acute. Gaddis has written a lively, deeply informed summary, the most accessible and compelling guide to the international conflicts, issues, and dominant ideologies of the early Cold War era.
Pub Date: May 1, 1997
ISBN: 0-19-878070-2
Page Count: 420
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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