A veneration of Black women’s work and a celebration of survival, determination, and joy.
A Black child reflects on the resilience, vision, and hope of women in this picture book that explores a family’s history.
A Black youngster studies sepia family photographs on a table. The text refers to the “wildest dreams” of the kid’s “Mothers.” On the next page, a Black mother and child in 19th-century clothing hold flowers as they load wood into a cabin’s cast-iron stove. “I am the wish Grandma Hanna made as she labored to make her home safe and warm in the Old Dominion,” the narrator says. “I am Mama Mamie’s desire for her children to always find their way back to each other.” Light tracks multiple lineages of mothers through farming, moves into cities, and family gatherings. Each woman is represented by a flower. The struggles of raising families during slavery, Reconstruction, and Jim Crow are implicit. Wu Wa hopes that her children will pull down “pillars of hate” (a kid points to a Confederate monument). Explanations of historical details are left to adult readers’ discretion and children’s developmental readiness. Rather than focus on hardships, Mikai’s illustrations show seven mothers in moments of communion with their families. Beautiful digital paintings contrast the warm browns of skin, wood, and earth with the bright jewel tones of cloth, flowers, and food. Finally, the child from the first page appears again, thrown into the air by the kid’s own mother in a field of symbolic flowers.
A veneration of Black women’s work and a celebration of survival, determination, and joy.Pub Date: Feb. 2, 2021
ISBN: 978-1-73472-634-3
Page Count: 26
Publisher: They Lived Happily Ever After
Review Posted Online: Feb. 18, 2021
Kirkus Reviews Issue: April 1, 2021
Review Program: Kirkus Indie
BOOK REVIEW
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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