In a tribute to his father and to his profession, the celebrated stage and screen actor rehearses his early career, cheerfully describing his successes and honestly recording his failures, professional and personal.
Lithgow, who has written eight books for children (I Got Two Dogs, 2008, etc.), begins in 2002 when his father’s health was failing rapidly. Serendipitously, the author decided to read aloud to him a story by P.G. Wodehouse, a story they both had loved when John was a child. A smile came to his father’s face, and the author believes this helped his recovery for another 18 months. (Later, we learn that the story—“Uncle Fred Flits By”—became the centerpiece of Lithgow’s one-man show Stories by Heart, a work he still performs regularly.) The author records fondly the peripatetic lifestyle of his childhood. His father, a theatrical nomad, traveled extensively, teaching, starting theater companies and festivals and mounting productions, especially of Shakespeare (one of the author’s life-long loves). His father never stayed anywhere long (his ambitions always exceeded his budgets—and, perhaps, his talent, though the author is far too kind to say so). Lithgow struggled through school—not with his studies (he graduated magna cum laude from Harvard) but with his uncertainty about whether to be an artist (painter) or actor. The latter won, of course, and Lithgow tells us about his school performances, his studies here and abroad, his tours and travails and his breaks in New York and Hollywood. He writes admiringly of his first wife—their marriage fractured when he commenced a number of torrid affairs during what he recognizes as a very late adolescence—and his subsequent 30-year marriage with his second wife, Mary. Not a complex or innovative writer, Lithgow nonetheless emerges as genial, gentle, generous, grateful, self-deprecating and proud but never arrogant.
Pub Date: Oct. 1, 2011
ISBN: 978-0-06-173497-7
Page Count: 336
Publisher: Harper/HarperCollins
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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