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SOSEKI

MODERN JAPAN'S GREATEST NOVELIST

A revealing portrait of a writer who deserves a new audience.

A biography of one of the most celebrated writers of modern Japan.

Novelist Natsume Soseki (1867-1916) is beloved in his homeland but not very well known beyond. Nathan (Japanese Cultural Studies/Univ. of California, Santa Barbara; Living Carelessly in Tokyo and Elsewhere, 2008, etc.), an Emmy Award–winning documentary filmmaker, hopes to change that with this comprehensive and discerning biography. Adopted twice as a child, Soseki’s early years were difficult, and Nathan suggests that this contributed to the “misanthropy that darkens his writings.” A bright student, he did well in school and began teaching English after college. In 1900, his success earned him a position to study in England, where he immersed himself in reading all the English writers of the time, especially Henry James. Soseki then replaced the fired American writer Lafcadio Hearn at Tokyo Imperial University and began a prolific writing career. At 38, despite severe physical and mental illness suffered throughout his life, Soseki struck out on his own to fashion a new kind of literature, one that bears comparison to the works of Balzac, Dickens, and Proust in its scope and attention to the human condition. His first novel, I Am a Cat (1904), a “self-lacerating portrait of the author,” was serialized in a newspaper, a common practice in Japan. Nathan argues that this “mordantly comic,” satirical, featuring a cat as narrator, clearly shows the influence of Tristram Shandy. In 1907, The Poppy was serialized in Japan’s largest newspaper, with “a potential audience of 500,000 readers.” Newsboys would press papers into people’s hands and shout, “Soseki’s Poppy in these pages!” The 700-page Light and Dark, his final, unfinished novel, about “urban life among the emergent bourgeoisie on the eve of World War I,” is a “landmark in twentieth-century Japanese fiction.” The book features all-new translations by Nathan.

A revealing portrait of a writer who deserves a new audience.

Pub Date: April 3, 2018

ISBN: 978-0-231-17142-7

Page Count: 320

Publisher: Columbia Univ.

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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