Still, it’s an amusing satire that, in its own way, manages to rebuke today’s political realities.
All hell breaks loose when a proposed highway bypass threatens a peaceful neighborhood and endangers a rare species of butterfly, prompting an unreconstructed ’60s radical to scrape together a bunch of misfits and take on the town’s establishment.
It’s easy to imagine that veteran author Nichols (Conjugal Bliss, 1994, etc.) patterned his protagonist and narrator, Charley McFarland, after a kind of politically correct Hunter S. Thompson. Page after page, Charley spices up this political farce with Thompsonian-like epithets (used to describe friend and foe alike) and fantasies that even the character admits may be a little over the top. The Butterfly Coalition that Charley assembles includes a 92-year-old radical Lydia Babcock, who had been involved in many of the last century’s left-wing fracases; a progressive if somewhat frustrated reporter, Susan Delgado; his dysfunctional son, Luther; and his extremely dysfunctional, alcoholic estranged wife (Luther’s stepmother), Kelly. (Another part of Charley’s plan is to use the coalition as a catalyst for reuniting his family.) Along with himself, these four, whom Charley repeatedly explains are not ecoterrorists or “monkey wrenchers,” take on the powers-that-be in aptly named Suicide City. As with any farce, you don’t need a scorecard to distinguish the bad guys from the good, especially with Charley narrating, but the Butterfly Coalition isn’t an average activist group either. Since just about every character here is either unlikably avaricious, obnoxious, or extreme, with Kelly by far the worst of the coalition, the broadness of the comedy—both the language and the action—is a bit unfortunate in that it distances and effectively numbs the reader. Indeed, so heavy is the farce laid on that when tragedy does strike the Butterfly Coalition it elicits confusion rather than sympathy.
Still, it’s an amusing satire that, in its own way, manages to rebuke today’s political realities.Pub Date: June 1, 2001
ISBN: 0-8118-3201-5
Page Count: 304
Publisher: Chronicle Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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