Still, it’s an amusing satire that, in its own way, manages to rebuke today’s political realities.
All hell breaks loose when a proposed highway bypass threatens a peaceful neighborhood and endangers a rare species of butterfly, prompting an unreconstructed ’60s radical to scrape together a bunch of misfits and take on the town’s establishment.
It’s easy to imagine that veteran author Nichols (Conjugal Bliss, 1994, etc.) patterned his protagonist and narrator, Charley McFarland, after a kind of politically correct Hunter S. Thompson. Page after page, Charley spices up this political farce with Thompsonian-like epithets (used to describe friend and foe alike) and fantasies that even the character admits may be a little over the top. The Butterfly Coalition that Charley assembles includes a 92-year-old radical Lydia Babcock, who had been involved in many of the last century’s left-wing fracases; a progressive if somewhat frustrated reporter, Susan Delgado; his dysfunctional son, Luther; and his extremely dysfunctional, alcoholic estranged wife (Luther’s stepmother), Kelly. (Another part of Charley’s plan is to use the coalition as a catalyst for reuniting his family.) Along with himself, these four, whom Charley repeatedly explains are not ecoterrorists or “monkey wrenchers,” take on the powers-that-be in aptly named Suicide City. As with any farce, you don’t need a scorecard to distinguish the bad guys from the good, especially with Charley narrating, but the Butterfly Coalition isn’t an average activist group either. Since just about every character here is either unlikably avaricious, obnoxious, or extreme, with Kelly by far the worst of the coalition, the broadness of the comedy—both the language and the action—is a bit unfortunate in that it distances and effectively numbs the reader. Indeed, so heavy is the farce laid on that when tragedy does strike the Butterfly Coalition it elicits confusion rather than sympathy.
Still, it’s an amusing satire that, in its own way, manages to rebuke today’s political realities.Pub Date: June 1, 2001
ISBN: 0-8118-3201-5
Page Count: 304
Publisher: Chronicle Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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