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Max The Flying Sausage Dog

TAILS FROM THE POUND

From the Max The Flying Sausage Dog series , Vol. 2

A thoroughly enjoyable book for young readers featuring deft storytelling, humor, and heart.

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Criminal activity at the local dog pound and a dream about the queen of England figure into this funny, charming tale about a 7-year-old boy and his flying dachshund.

Young Tom’s pet “sausage dog,” Max, a rescue from the local pound, has an unusual, secret gift. When he whirls his tail, he can fly, and whenever Tom arrives home from school, Max greets him by zooming like a helicopter into his arms. But in this follow-up to Max the Flying Sausage Dog: A Tail from London (2014), a dog-pound manager and an odd-looking policeman confiscate Max, claiming that his original owner has been found. That night, Tom dreams that he asks the queen of England—a fellow dog lover—for help, and she threatens to jail the pound manager in the Tower of London if he doesn’t release Max. The authors aim a sly bit of humor at adults when Tom tells the queen that his mum always says “patience is a virtue,” and the queen responds, “That’s what I’ve been telling my son, Charles, for years.” Indeed, a peppery wit informs this gentle story throughout. The strange policeman, for instance, is “tall and thin with an Adam’s apple that stood out like a pickled onion,” and Robins’ offbeat illustrations are a spot-on match to the descriptions, with comic details to engage the eye. Tom and his mother team up to rescue Max and confront the bad guys—“Mum can be pretty frightening when she gets a certain voice on,” Tom says—and chaos ensues as whirligig Max leads the chase to rescue other pooches, too. The book includes a helpful list of words and phrases used in the story that are common in England: dachshund is pronounced “dash-hound”; “Telly” is short for “television”; “Lovely jubbly” is “money”; and in cockney rhyming slang, “my boots,” becomes “Me daisy roots.” The book ends with an endearing coda: a photo of the real-life inspiration for the Max character (“Could he fly? / That will remain a secret forever”).

A thoroughly enjoyable book for young readers featuring deft storytelling, humor, and heart.

Pub Date: Sept. 24, 2015

ISBN: 978-0-9910364-8-6

Page Count: 50

Publisher: Words In The Works LLC

Review Posted Online: Jan. 4, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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ABIYOYO RETURNS

The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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