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EDWARDIANS

LONDON LIFE AND LETTERS, 1901-1914

Paterson (English/Univ. of Calif., Berkeley; The Novel as Faith, 1973) thematically arranges the Edwardian era into a series of brief studies, with anecdotes drawn from the works of Henry James, Joseph Conrad, Ford Madox Hueffer, Virginia Woolf, Ezra Pound, and everyone else who was anyone then. Satisfyingly stuffed with encounters, vignettes, and aphoristic quotes, the book gives a rambling and impressionistic tour of the era after Queen Victoria, when England found itself adrift but flourishing at its imperial apex. When not quoting from G.B. Shaw, H.G. Wells, D.H. Lawrence, E.M. Forster, and other initialized literary lions, Paterson sounds much like them, his tone ranging from the sardonic to the rhapsodic as he explores such subjects as politics, mores, art, letters, and sex in London. Cultural movements, not to mention fads, included the rediscovery of rural England (and holiday-making) and the rise of clerks and typists (and their taste for novels). All the familiar social concerns, and literary gossip, of the Edwardians—be it the Fabian feuds of Shaw and Wells, the friendships of Conrad and James, Bloomsbury's social rebellion, or Mrs. Pankhurst's suffragette protests—are treated. If this retro-perspective seems limited, it is nonetheless a reflection of a culture in which dining with duchesses was the literary pursuit of J.M. Barrie, a gypsy caravan the address of the artist Augustus John, and a mÇnage Ö trois the minimum for Clive and Vanessa Bell. Paterson pursues the Edwardian zeitgeist across its varied and vibrant years with assurance. Enjoyable for its own enjoyment of the era, this period piece collection of literary snapshots and group portraits adds up to an engaging, if familiar, album. (8 pages of b&w illustrations, not seen)

Pub Date: April 5, 1996

ISBN: 1-56663-101-7

Page Count: 352

Publisher: Ivan Dee/Rowman & Littlefield

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1996

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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