Tailor-made for the potentially huge X-Men audience that can’t be bothered scanning all those comic-book pictures or hiking...
Sandford reaches back to the dim past before his fabulously popular Lucas Davenport thrillers (Easy Prey, p. 327, etc.) to resurrect his even pulpier hero, artist/hacker/design-thief Kidd (The Empress File, 1992, not reviewed), for this tale of computer skullduggery on an epic scale.
When her brother Jack Morrison is shot dead, allegedly while breaking into a sensitive area at the Dallas firm of AmMath, Lane Ward follows his posthumous directive to “get in touch with Kidd.” It’s good advice, since Kidd immediately sets Lane’s mind at rest about her brother’s ethics by insisting that Jack would never have been carrying a gun on such a routine errand. Instead, he wonders what AmMath, encryption specialists who’ve been working on a code for a new generation of computer chips that will allow Uncle Sam to read everybody’s mail, might have had on Jack that made them want to set him up. The answer follows shortly with the news that a conspiracy of hackers calling themselves Firewall has brought the IRS to its knees by flooding it with bogus electronic returns. The only problem with the report is that Kidd, a member of Firewall, doesn’t know anything about this latest act of civil disobedience. Neither do any of the other Firewallers he gets in touch with. Realizing that AmMath CEO St. John Corbeil is setting up Firewall just as he set up Jack, Kidd and his friend LuEllen, whose specialty is stealing the portable property that’s too bulky for Kidd, go into full action mode with half a dozen brainy, well-armed specialist allies. The fur flies furiously, though the plot, fueled by endless, mindless action scenes punctuated by macho posturing from characters of every gender, soon sags into monotony.
Tailor-made for the potentially huge X-Men audience that can’t be bothered scanning all those comic-book pictures or hiking out to the bijou.Pub Date: Oct. 2, 2000
ISBN: 0-399-14650-4
Page Count: 320
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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