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THE DEVIL’S CODE

Tailor-made for the potentially huge X-Men audience that can’t be bothered scanning all those comic-book pictures or hiking...

Sandford reaches back to the dim past before his fabulously popular Lucas Davenport thrillers (Easy Prey, p. 327, etc.) to resurrect his even pulpier hero, artist/hacker/design-thief Kidd (The Empress File, 1992, not reviewed), for this tale of computer skullduggery on an epic scale.

When her brother Jack Morrison is shot dead, allegedly while breaking into a sensitive area at the Dallas firm of AmMath, Lane Ward follows his posthumous directive to “get in touch with Kidd.” It’s good advice, since Kidd immediately sets Lane’s mind at rest about her brother’s ethics by insisting that Jack would never have been carrying a gun on such a routine errand. Instead, he wonders what AmMath, encryption specialists who’ve been working on a code for a new generation of computer chips that will allow Uncle Sam to read everybody’s mail, might have had on Jack that made them want to set him up. The answer follows shortly with the news that a conspiracy of hackers calling themselves Firewall has brought the IRS to its knees by flooding it with bogus electronic returns. The only problem with the report is that Kidd, a member of Firewall, doesn’t know anything about this latest act of civil disobedience. Neither do any of the other Firewallers he gets in touch with. Realizing that AmMath CEO St. John Corbeil is setting up Firewall just as he set up Jack, Kidd and his friend LuEllen, whose specialty is stealing the portable property that’s too bulky for Kidd, go into full action mode with half a dozen brainy, well-armed specialist allies. The fur flies furiously, though the plot, fueled by endless, mindless action scenes punctuated by macho posturing from characters of every gender, soon sags into monotony.

Tailor-made for the potentially huge X-Men audience that can’t be bothered scanning all those comic-book pictures or hiking out to the bijou.

Pub Date: Oct. 2, 2000

ISBN: 0-399-14650-4

Page Count: 320

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2000

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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