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SOME WOMEN I HAVE KNOWN

A wistful but spotty memoir.

Paying homage to his great uncle, an ex–World Bank professional makes his debut with a memoir featuring the series of women he encountered in his youth.

If imitation is indeed the sincerest form of flattery, then Joost van der Poorten Schwartz (or Maarten Maartens as he was called in publishing circles) scored the jackpot. One hundred years after his death, his grandnephew has crafted a memoir loosely modeled after one of the elder’s books. While the elder Schwartz’s stories focused mostly on “high-society women of the Victorian period,” his grandnephew, a native of Holland, isn’t as picky. Readers are introduced to various women, most of whom—with the rare exception of his grandmother Lady D and actress Audrey Hepburn, a distant family relative—were the objects of the author’s amorous attentions. A steady parade of women—Ann the Beautiful, Tisja the Village Beauty, Irene Femme Fatale, Ingrid the Magnificent Viking, etc.—marches across the pages. Schwartz, who was 9 when World War II ended, captures a slice of upper-crust life with his depictions of elaborate breakfasts at his grandparents’ home in rural Holland, complete with silver breadbaskets. Glimpses of old Europe—including pinewood lodges and ski resorts—are also lovingly rendered. However, with the exception of Irene Femme Fatale, the “some women” of the title are more fuzzily drawn. Primarily painted as love interests, they remain underdeveloped. Readers might see the author as rather one-dimensional as he develops serial crushes on one woman after another, often desperate to bed and/or marry each one. When posted in Burundi, he was taken in by a Tutsi woman and went to extraordinary lengths to give her a new life in France. Notwithstanding the exoticism of Nyira, whom he labels as the Tutsi Queen, readers may wonder about the motivations for his seemingly impulsive actions. The account stops short of detailing how the author eventually met and married his wife—an episode that might have added a different perspective and additional color.

A wistful but spotty memoir.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Willow Manor Publishing Inc.

Review Posted Online: Jan. 8, 2015

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
  • 316


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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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