"Jehan Stynebec" maintained a lifelong devotion to the 15th-century minor hoodlum and "knyght presoner, sir Thomas Malleorre," and long cherished the idea of retelling the Matter of Arthur for our time. Dating mostly from 1958-59, Steinbeck's fragmentary attempt represents both an earnest effort at scholarly perspective and a broad contemporary reinterpretation. He did not try to "translate," but simplified and condensed Malory's language while tidying up some narrative loose ends. There are five brief, fairly straightforward versions of episodes from the first book (following Eugene Vinaver's edition of the Winchester MS) and two lengthy narratives based on the Tale of Sir Launcelot du Lake and the Gawain, Ywain, and Marhalt episode. The brief pieces are usually best when closest to Malory; the fog-over-the-moors flourishes and frequent sententious interpolations rarely come off. And Malory's blunt, clear prose rhythms find little counterpart in Steinbeck: "And only then did the knights look about them. On a smooth dark water they saw a little ship covered with silken cloth. . ." for "Than the kynge loked aboute the worlde and sawe before hym in a grete water a lytyll shippe all apparayled with sylke downe to the watir." The two long pieces are freewheeling, often playful reworkings of Malory, in which Steinbeck tries to sum up his complex love of all that knighthood and the Arthurian fellowship have meant to him. Here the dominant mode is the arch and whimsical fable, much in the vein of Pippin IV, bound to enthrall and exasperate equal numbers of people. The book must be evaluated more as Steinbeckiana than as Arthuriana, not so much for its narrative foibles as because the project remained so fragmentary—including neither the Grail quest, the book of Launcelot and Guinevere, nor the Morte Arthur. A complete Arthurian cycle from Steinbeck would have been good to have. The present version remains an erratically charming curiosity.
Pub Date: Oct. 22, 1976
ISBN: 0143105450
Page Count: 300
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Oct. 1, 1976
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
