Evidently even John Steinbeck "takes a walk" now and then. This is it. We hope he doesn't continue to walk downhill. For here is a book that will inevitably be a bitter disappointment to those who have put John Steinbeck at the top of the roster of American writers today. Always before his bums, his down and outers, his "under-privileged", his Okies, his itinerant workers, his drifters have invoked a certain magnetic fascination rootet in the sheer love of their creator for his creations. Some have accused Steinbeck of being sentimental about his people. Nobody could accuse him of being sentimental about any of the unprepossessing aggregation of unpleasing humanity brought together at a wayside safe from which a short line bus operates. There's the proprietor, driver of the bus, Juan- least objectionable, perhaps, and warmed by a spirit of charity. There's his temperamental, possessive and violent wife, Alice, who takes out her spleen on all and sundry, with flies and the downtrodden hired girl, Norma, as chief victims. There's Pimples-most unpalatable of adolescents, who is a mechanic of sorts, sex ridden and depraved. And then there are the passengers held over while the bus is repaired- an unsavory lot, from the Pritchads, who hated each other but tried to put up a front as a united family, to the salesman with a suitcase full of rather morbidly unpleasant tricks, and the girl whose sex lure provided the flash which set off the latent dynamite. The story is a slight one, and rarely does it emerge from the mire of fleshly obsession, the mark of language and motives and concentration on the physical. A thoroughly distasteful and unpleasant book, unredeemed by the flash- the spark that to most justified anything John Steinbeck wrote. Because what he does well, he does so extraordinarily well, it is all the more appalling when he descends to the depths of vulgarity.
Pub Date: Feb. 17, 1946
ISBN: 0142437875
Page Count: 312
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Feb. 1, 1946
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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