illustrated by John Steptoe ‧ RELEASE DATE: March 26, 1980
"I'm probably a monster daddy," Bweela and her brother Javaka's daddy admits at the close, "when I got monster kids." And that, literally, is what we've been seeing: pictures of the kids misbehaving and sprouting whiskers and ears; pictures of Daddy reacting, and turning into a monster too. Some youngsters may not grasp the connection until it's spelled out, since the kids' physical transformations are not accompanied by words, the incidents are not precisely parallel, and the most developed incident is somewhat subtle (Bweela and Javaka accept an ice cream cone from a lady who reproaches their father for only buying one for himself—after he's already treated them). And there's an incongruence here between the elaborate illustrational style and the simple lesson, and even between the aforementioned incident and the other, very routine instances of nuisancy behavior (a messy room, delaying tactics at bedtime, etc.). But in themselves the illustrations are forceful and compelling, with Daddy's shifts from reasonableness to irritation to glowering anger strikingly put across. So, though it's a weak vehicle for a lot of emotion, the authenticity of that emotion is not to be lightly dismissed.
Pub Date: March 26, 1980
ISBN: 0064430421
Page Count: 44
Publisher: Lippincott
Review Posted Online: May 10, 2012
Kirkus Reviews Issue: March 1, 1980
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by John Steptoe & illustrated by E.B. Lewis
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by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Chloe Perkins ; illustrated by Dinara Mirtalipova
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