by John Thorndike ‧ RELEASE DATE: Aug. 15, 2018
A highly recommended rendering of a love affair and mysterious slice of Cuban history.
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A young American woman has to choose between her Cuban lover—the father of her child—and the older rico she has married. And in novelist Thorndike’s (Anna Delaney’s Child, 2011, etc.) telling, this fictionalized history plays out against the early years of the Cuban revolution.
Clare Miller, professional photographer, meets Camilo Cienfuegos at a photo shoot at the Waldorf Astoria where he is a line cook. They fall in love; she gets pregnant; he gets deported and joins Fidel Castro’s revolution. In fact, he becomes one of Fidel’s top lieutenants. Meanwhile, Clare travels to Cuba with her daughter, Alameda, hoping to find Camilo, though she fears that he is dead. She meets Domingo Beltran, a widower who offers her work as a photographer. He is a good man, and Clare marries him, if only to give Ala a father. But of course Camilo isn’t dead, and very shortly he arrives in Havana as one of the conquering barbudos (bearded ones). Clare leaves Domingo. Camilo does love her, and Ala may accept him in time, but he is also deeply loyal to Fidel and caught up in the madness of the day. On a flight to the eastern provinces to bring an old comrade to “justice,” his plane disappears. Shortly thereafter, Domingo quits Cuba for Miami. Then the new regime forces Clare and Ala into exile. The historical Camilo Cienfuegos and his pilot were in fact never found. But this is fiction, and he survives. Domingo surfaces again…and we will leave it at that. Thorndike is a talented, experienced writer, and Clare and Camilo especially are fully developed, attractive characters. The dynamic between Camilo and Fidel is fascinating. Camilo is a joyous revolutionary and wants a revolution that really does fulfill its promises to the poor and dispossessed. Fidel, on the other hand, is a dangerous ideologue whose first directive is to eliminate perceived threats. (It’s very likely that the crucial plane crash was no accident at all.)
A highly recommended rendering of a love affair and mysterious slice of Cuban history.Pub Date: Aug. 15, 2018
ISBN: 978-0-9972644-7-0
Page Count: 330
Publisher: Beck & Branch
Review Posted Online: June 2, 2018
Kirkus Reviews Issue: July 15, 2018
Review Program: Kirkus Indie
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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