by John Updike ‧ RELEASE DATE: Nov. 3, 1992
His dreadful play of some years back, Buchanan Dying, must have left Updike with a raft of research material that he seems now to have taken and thrust into the fictional hands of a New Hampshire girls'-college historian, Alf Clayton, who's writing a sympathetic book about Buchanan, the president that had the misfortune to usher in the Civil War. Clayton also is writing a personal recollection of his chaotic sexual and family situation during the Gerald Ford administration—this makes up the narration here—and thus Updike can move freely inside two ideas: that the past is no more knowable than the confusing present, and that things—even if they do it at wrenching cost—"bump on," work out. Clayton has left his wife and family of three to live alone yet sleep with Genevieve. Genevieve's "The Perfect Wife" of a creepy deconstructionist—who finally sabotages the affair with a bit of deconstruction of his own devising. Alf sees sex, during the 70's, mostly as pathos, determined taboo-breaking that yields little more than manners; this is contrasted with the historical judgment of Buchanan, whose good instincts have been forgotten in favor of his ill-stars ("the erratic haft-steps whereby a people effects moral change and whereby well-intentioned men of substance seek amid agitation and the long stasis of contending equal interests the path of least general harm"). It's a novel about failure—and that paradoxical spinoff of failure, optimism. The Buchanan stuff, though, is gluey, boring; and Alf's Gongoristic high-style, stuffed with tropes and excruciated vocabulary, is rarely more palatable. It's the sex, as so often with Updike, that you come to the table for and is the most filling thing here—the grace notes of man/woman perceptiveness for which Updike is rightly renowned. The idea of macro- and micro-history clearly is something Updike wanted to chew over (as he did the ramifications of computers in Roger's Version) but it's the grounded experience of wanting and losing that grows the grass.
Pub Date: Nov. 3, 1992
ISBN: 0449912116
Page Count: 384
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1992
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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