The old, perhaps toothless saw, that the novelist is not necessarily a good critic any more than the drunk is a good bartender is certainly disproved by three contemporary cases—Sheed, Leonard and especially John Updike who is a reviewer of extraordinary grace, clarity, amiability and of course humor. This collection (more predominantly than his Assorted Prose—1965) consists primarily of his reviews for The New Yorker along with a few of those "assorted" other pieces on meeting writers (Joyce Cary, "a well-knit sandy man," or Thurber and Borges—"blindness and fame and years do island a man"); on the novel in general and writing in particular ("Why write? As soon ask, why rivet?"), a parody or so, etc. Almost never does he indulge in some of the "tendrilous" ornamentation occasionally found in his own novels. The reviews, necessarily, are important or just diverting according to the books in question. Great people bring out the best in Updike and here the pieces make lasting commentaries: Proust's Remembrance of Things Past—which he considers the finest novel for all time—"is, like the Bible, a work of consolation": there are fine discussions of Dostoyevsky, Joyce, the more circumscribed Borges who "reduces everything to a condition of mystery," Nabokov (several reviews), the "best-equipped" writer in the English-speaking world even if Updike found Ada's "nulliverse" as irritating and distracting as we did; and he resists that demanding "superb tyrant" Ivy Compton-Burnett. And in Messed-Up Life, the T. S. Matthews biography of T. S. Eliot, Updike returns Eliot, denigrated here, venerated there, to the immanent power of his work—"a steady force of seriousness, of caustic austerity, engraves [the poetry] on our minds." Updike, as a critic, represents the wisdom of that bon sens populaire—he's never taken in by donnish side (a la Murdoch) or the artifice of all those novelty novelists who recur as theoreticians in disguise. Updike is a Renaissance man of many talents and seasons, reflecting the values which reach us—reality, civilized pleasure, and those recognitions which enlarge the written word.
Pub Date: Nov. 1, 1975
ISBN: 0449212033
Page Count: 511
Publisher: Knopf
Review Posted Online: Oct. 6, 2011
Kirkus Reviews Issue: Nov. 1, 1975
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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