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SELF-CONSCIOUSNESS

Six iridescent essays in lieu of an autobiography. Updike penned these luxurious self-examinations soon after someone informed him of a "repulsive" plan to write his biography. Although the pieces collected here will surely not fend off the multiple Lives to come, they do provide snug, friendly glimpses into the reflective mind of a writer abnormal in his normality (churchgoer, Democrat, cheerful participant at town meetings); they also confirm Updike's status as one of America's foremost literary stylists. In "A Soft Spring Night in Shillington," a tour-de-force of compressed memories, he walks through his Childhood while wandering his hometown streets one rainy night in 1980. "At War with My Skin" documents his lifelong struggle against that silver-scaled beast, psoriasis, and doubles as a celebration of the Puritan enclave of Ipswich, Mass., where he lived for over a decade, became rich and famous, and learned to swim in the "soft, pale-green ocean." "Getting the Words Out" dissects the author's difficulties with speech (he stutters), asthma, claustrophobia, and his redemptive love affair with writing. In "On Not Being a Dove," Updike discusses his ambivalence about the Vietnam War. The least successful essay, "A Letter to My Grandson"—too private to generate general interest—explores the genealogy of the "big, bumptious race" of Updikes. Finally, in "On Being a Self Forever," Updike longs for an afterlife, wonders "Where does the self dawn?" and asserts his lasting conviction that "the self's responsibility. . .is to achieve rapport if not rapture with the giant, cosmic other: to appreciate, let's say, the walk back from the mailbox." Self-probings—sometimes facile, sometimes dead-on—of a complex, funny, modest man, framed in glorious prose. A neat masterpiece of literary undressing.

Pub Date: March 18, 1989

ISBN: 044921821X

Page Count: 292

Publisher: Knopf

Review Posted Online: Oct. 6, 2011

Kirkus Reviews Issue: Feb. 15, 1989

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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