A brilliant blend of graphic and literary narration and a lovely work of art in itself.
Graphic narrative of an often-overlooked episode in the history of American empire.
Seized by the U.S. after the war against Spain and turned into an unwilling economic colony, Puerto Rico spawned a liberation movement after World War II that was populated by intellectuals such as Pedro Albizu Campos, inspired by Gandhian nonviolent resistance as well as by guerrillas less reluctant to use force. Four of the latter traveled to Washington, D.C., in 1954 and attacked the Capitol, wounding five representatives. Visual artist Vasquez Mejias tells this tale in a narrative punctuated by the voices of many of those actors. Counsels one revolutionary to a comrade traveling to the mainland, “My God, even the Library of Congress has a police force plus a new something they call Central Intelligence which goes around killing everybody. Trust no one.” After the short-lived campaign on the mainland, the U.S. promulgated a law that made it illegal to own a Puerto Rican flag or to “speak or write of independence.” The author recounts that his story was slow in the making, largely because he used the traditional medium of woodblock printmaking, about which he reasons, “Nobody is waiting around for this book, so it’s going to take however long it’s going to take.” The woodblock method lends density and gravitas to the work that command attention; each centimeter of each panel is rich in visual detail, inviting readers to linger over the page. One panel is particularly memorable, plainly evoking Francisco Goya’s famed painting The Third of May 1808. Reminiscent of the work of the pioneering graphic artist Lynd Ward, the hand-printed original of this excellent work now resides in the permanent collection of the Metropolitan Museum of Modern Art.
A brilliant blend of graphic and literary narration and a lovely work of art in itself.Pub Date: May 14, 2024
ISBN: 9781454952466
Page Count: 112
Publisher: Union Square & Co.
Review Posted Online: Feb. 1, 2024
Kirkus Reviews Issue: March 1, 2024
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
SEEN & HEARD
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