An impressive, heartfelt collection by a true American iconoclast.
The famed cult-film director recalls the famous—and not-so-famous—people he has idolized over the years.
Waters is known for his campy, often hilarious films, including Pink Flamingos (1972) and the mainstream hit Hairspray (1988). In this consistently charming and witty collection of essays, he fondly remembers the many artists he has admired throughout his life, from stars, such as Little Richard, to such near-unknown figures as the 1960s Baltimore stripper Lady Zorro. Though Waters jumps from subject to subject, he somehow integrates it all into a coherent whole. The chapter “Johnny and Me” combines the author’s interviews with legendary singer Johnny Mathis and the obscure actress Patty McCormack, who played an evil little girl in the 1954 movie The Bad Seed, as well as encomiums to the actress Margaret Hamilton and Bobby “Boris” Pickett, singer of the 1962 novelty hit “The Monster Mash.” Elsewhere, the author interviews two of his favorite underground gay pornographers in similarly rapturous terms. In general, Waters admires anyone who has the courage to follow his or her idiosyncratic muse, and he makes no distinction between so-called “high” and “low” art. The author is at his most engaging when he expresses disillusionment. For example, he counts a former member of the Manson Family, Leslie Van Houten, among his friends, and believes that she has reformed in prison—but he also expresses regret that he exploited the Manson murders for kitsch value in his early films. Waters also presents a poignant interview with Lady Zorro’s daughter, during which he learns that the outrageous personality he admired so much was actually masking a selfish, irresponsible alcoholic. The only misfire is a short, somewhat vague appreciation of Tennessee Williams, which lacks the zing of the rest of the portraits. Overall, however, Waters delivers a worthy tribute to his personal pantheon of artistic icons.
An impressive, heartfelt collection by a true American iconoclast.Pub Date: June 1, 2010
ISBN: 978-0-374-25147-5
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: March 1, 2010
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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