by John Wilson ‧ RELEASE DATE: Oct. 2, 2018
Fascinating source material deserves a treatment less reliant on tired tropes
Drawn into a primordial struggle that threatens the balance of the world, Howard embarks on a journey through time and space.
A split narrative, twining from imperial-era Sanxingdui to contemporary Aylford (an author’s note informs readers that Sanxingdui is a real place in China, while fictional Aylford is inspired by American author H.P. Lovecraft’s fictional town Arkham), tells the story of the Golden Mask, an object of immense power. When nefarious forces seek to seize that power, Howard must battle darkness of monstrous proportions. It’s an ambitious story, weaving in ancient civilizations from all over the world. Wilson misses the mark, though, deploying one cliché after another, from the “very important magical object” to the “chosen one.” Howard’s unfathomable importance remains unexplained, and Cate, his friend, exactly embodies the “mystical minority” trope. Cate is one of three characters in Aylford who are specifically and repeatedly identified as Chinese—the rest are presumed white. Small discrepancies riddle the text, and use of Chinese language is inconsistent or simply wrong. Passages of evocative prose appear alongside moments of unbelievably cartoonish description and dialogue (one character uses the phrase, “cool people like me”). With a cast of characters who seem to reappear in various incarnations, the plot feels simultaneously fussy and simplistic—and insufficiently compelling for readers to want to continue on to the next book in the planned series.
Fascinating source material deserves a treatment less reliant on tired tropes . (Fantasy. 10-14)Pub Date: Oct. 2, 2018
ISBN: 978-1-4598-1970-2
Page Count: 304
Publisher: Orca
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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BOOK TO SCREEN
by Scott O'Dell ; illustrated by Ted Lewin ‧ RELEASE DATE: Oct. 1, 1990
An outstanding new edition of this popular modern classic (Newbery Award, 1961), with an introduction by Zena Sutherland and...
Pub Date: Oct. 1, 1990
ISBN: 0-395-53680-4
Page Count: -
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2000
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