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TWO BY TWO

Name: TWO BY TWO
Author: John Winch
ISBN: 0-8234-1840-5

by John Winch & illustrated by John Winch ‧ RELEASE DATE: Sept. 1, 2004

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The endless flow of new versions of the Noah’s Ark story continues without ebb, but this entry follows a different course than most. This version is told simply, with few words, and never mentions Noah or the Ark or even God. The succinct text focuses on the animals themselves, who seek shelter from the great storm within the Ark, which gradually takes shape on the beach as the storm is approaching. Noah is shown peeking out of the Ark windows and in one full illustration with his wife, but the gathering storm and the gathering animals are the main focus. The rather abrupt conclusion shows the animals disembarking into a new world of “light and warmth and freedom” with no humans in sight. Winch’s oil paintings are highly detailed and creative in both perspective and composition, though sharp-eyed children are bound to notice that several animals on the cover and within aren’t paired up “two by two.” (author’s note) (Picture book/nonfiction. 3-6)

Pub Date: Sept. 1, 2004

ISBN: 0-8234-1840-5

Page Count: 32

Publisher: Holiday House

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2004

Categories:

CHILDREN'S RELIGION

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by John Winch & illustrated by John Winch

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BROTHER WOLF, SISTER SPARROW
adapted by Eric A. Kimmel & illustrated by John Winch

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OLD CRUMP
by Laurie Lawlor & illustrated by John Winch

LIFT-THE-FLAP BIBLE STORIES FOR YOUNG CHILDREN

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LIFT-THE-FLAP BIBLE STORIES FOR YOUNG CHILDREN

by Andrew DeYoung & Naomi Joy Krueger ; illustrated by Megan Higgins ‧ RELEASE DATE: Sept. 4, 2018

Younger audiences may be mostly interested in the bonking and stinky parts, but the rudiments are at least in place for...

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Ten tales from the Old and New Testaments, with plot points and lessons hidden beneath large, shaped flaps.

Higgins depicts Jesus as a bit larger than those around him but otherwise draws him and the rest of the cast—including angels—with similar-looking round heads, wide-open eyes, slightly crooked beards (on the men), and dark brown or olive skin. Cycling arbitrarily among various tenses, the abbreviated, sanitized, and informally retold episodes begin in “a garden” with the tree, most of Adam and Eve, and the “tricky serpent” who “will trick them” initially hidden beneath die-cut flaps. Lifting the largest reveals the disobedient first couple sporting flashy animal-skin togs and text that promises that “God had a plan to save people from sin.” After Noah boards the “crowded, noisy, and stinky” ark, Moses leads the escape from plague-ridden Egypt (“Frogs and locusts! Yucky sores and flies!”), and “David bonks Goliath.” God’s promise eventually bears fruit with the birth and select miracles of Jesus. In the climactic scene, three distant crosses hide beneath a flap that depicts Jerusalem, while behind a tomb in the foreground an angel literally fizzes with fireworks. Beneath a bush readers see Mary (Magdalen) weeping until the risen Jesus (beneath another bush) gives her a hug: “Go tell the disciples that I am alive!”

Younger audiences may be mostly interested in the bonking and stinky parts, but the rudiments are at least in place for homiletic discussion. (Novelty/religion. 4-6)

Pub Date: Sept. 4, 2018

ISBN: 978-1-5064-4684-4

Page Count: 16

Publisher: Beaming Books

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Dec. 1, 2018

Categories:

CHILDREN'S RELIGION

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UNDER THE RAMADAN MOON

by Sylvia Whitman & illustrated by Sue Williams ‧ RELEASE DATE: Sept. 1, 2008

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This book for the very young adds to the growing number of books on Islamic fasts and feasts, but in its simplicity it doesn’t supply very much in the way of information. The text starts off rhythmically: “We wait for the moon / we watch for the moon / we watch for the Ramadan moon,” but make little sense when it states “We fast by day / under the moon…” and becomes downright pedestrian as “We speak kind words / and stop bad habits / under the moon.” The pastels lend a special softness and serenity, glowing with intensity when it is really night and the moon is shown in its different phases throughout the lunar month of Ramadan, and the people depicted show some of the diversity of the American Muslim community. Most young readers, however, won’t understand that the people in the book are living through a month of fasting each day, and even the author’s note doesn’t provide adults with enough details to expand upon the text. (Picture book. 3-5)