For those unfamiliar with the Cajun story, this update may be a welcome respite from the flood of Santa Claus and snow-fairy...
A humanizing origin story for the Louisiana New Year’s Eve folk figure Madame Grands Doigts.
Mademoiselle Grands Doigts is a young, white maiden known for her beauty, her generosity, and the long fingers that lend her her name. As suitors line up, a jealous bunch of Cajun mean girls gets in the way and cooks up a gris grif. After a night of dancing, Mademoiselle Grands Doigts awakens cursed, her fingers covered in warts and her skin “scaly like a crawfish sack.” Confining herself to an attic, she lives on, giving gifts on New Year’s Eve to good children. In an afterword, author Downing says she wanted to offer a less-scary take on the story, one that focuses on the Madame as a young woman who remains unchanged on the inside despite her curse. Stanley’s hazy, deep-hued painted illustrations are appropriately moody. But modernizing the story to emphasize the cursed woman’s generosity doesn’t overcome a problematic, perhaps unavoidable plot point. With only her physical appearance having changed, Grands Doigts goes from sought-after maiden to a shut-in. More effective, and much creepier, is the last readers see of the curse makers: “Into the swamps they fled, such a wolfish horrid sight, / and if you listen closely, you’ll hear them howl at night.”
For those unfamiliar with the Cajun story, this update may be a welcome respite from the flood of Santa Claus and snow-fairy books crowding the holiday shelves. (Picture book. 5-8)Pub Date: Feb. 1, 2018
ISBN: 978-1-4556-2393-8
Page Count: 32
Publisher: Pelican
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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A charming illustration of childhood memories during the holiday season.
A colorful wintry tale ushers in Chinese New Year over two weeks.
In this picture book, the narrator recounts with nostalgia an observance of the traditional New Year in rural northern China. The snow-covered village bustles with activity as folks venture out to greet relatives and friends. “On the third day, uncles started giving LANTERNS” refers to an old custom in provincial Shaanxi—especially among maternal uncles. Palpable and immediate are Zhao Di’s eager anticipation and the care with which she “walk[s] through the snow with her lantern in case she slipped or the candle blew out in the wind.” Simple yet vivid close-ups depict Zhao Di and her friends, bundled head to toe and comparing lantern designs—accordion, watermelon, etc.—while braving the cold and a bunch of rowdy boys. All too soon, the 15th day arrives, signaling the end of the New Year celebrations. In a pivotal spread that shows Zhao Di sitting with her dog and chickens, readers are granted an interior view of the architecture and layout of a rustic farmhouse. In addition, the villagers’ various clothing styles, headdresses, and skin tones suggest the region’s diverse ethnicities and socio-economic landscapes. As the story concludes with the obligatory smashing and burning of the lanterns, Zhao Di comforts herself with the hopeful thought of lighting new lanterns next year.
A charming illustration of childhood memories during the holiday season. (author's note) (Picture book. 5-8)Pub Date: Dec. 7, 2021
ISBN: 978-1-5420-2984-1
Page Count: 40
Publisher: Amazon Crossing Kids
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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