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DEAD MANKIND WALKING

A rambunctious volume of short, well-crafted essays from a man with a strong point of view.

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A collection of political and cultural essays tackles big issues.

“Most of my life I’ve been called both unrealistically naive and overly cynical,” writes Townsend (Human Compassion for Beginners, 2018, etc.) in the introduction to this volume, which covers many of the most divisive fault lines in the current political moment. Perhaps both of these things are requirements for a progressive—or at least one with a sense of humor—which is what the author reveals himself to be as he opines on such topics as religion, capitalism, and the ballooning climate crisis. He gets into narrower issues as well, including in his critique of Israel’s Palestinian policy from the perspective of a Jewish American (albeit one who converted to Judaism after leaving the Church of Jesus Christ of Latter-day Saints of his youth). He writes about why classes on race, gender, and social justice should be mandatory in the workplace. He bemoans the internecine fighting in the Democratic Party between moderates and progressives, all of whom seem more willing to blame Democrats than denounce the Republicans. Each essay comes from Townsend’s particular perspective of growing up gay in the conservative confines of the Latter-day Saints church as well as the pull between the traditions of his upbringing and the necessities of an inclusive modern society. Through anecdotes, observations, and a fair bit of ranting, the author attempts to cajole America back into some semblance of common sense. Townsend writes in an energetic prose that balances crankiness and humor. “When Facebook developed its additional line of emojis to satisfy users who wanted to do more than simply Like another person’s post or comment, we were happy,” begins one essay. “After all, if a Friend posted about their dying cat, we could hardly click Like in response.” The book reads more like a collection of newspaper columns than a work of cultural criticism (and many of these pieces did originally appear as editorials). How much readers will agree with the author will likely depend on their own political beliefs. That said, those who share his worldview—and perhaps feel that same cynic/naif dichotomy within themselves—will applaud his arguments, particularly those regarding the seriousness of climate change.

A rambunctious volume of short, well-crafted essays from a man with a strong point of view.

Pub Date: Feb. 25, 2019

ISBN: 978-1-64438-034-5

Page Count: 240

Publisher: Booklocker.com, Inc.

Review Posted Online: Sept. 12, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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