by Jon Lee Anderson ; illustrated by José Hernández ‧ RELEASE DATE: Nov. 13, 2018
A valiant effort and a visual triumph, though the necessary abridgment compromises the depth.
The adaptation of an epic biography into a graphic volume underscores both the reach and the limitations of the graphic format.
In 1997, New Yorker staff writer Anderson (The Fall of Baghdad, 2004, etc.) published a biography of Che Guevara (1928-1967) that ran to more than 800 pages, which might test the patience of even the most committed readers of subsequent generations. So the author teamed with Mexican political cartoonist Hernández for a collaboration that can, as the author explains, help “reevaluate Che Guevara through the prism of each new generation.” On the visual level, it succeeds brilliantly, with the sweeping scale of the illustrations taking the measure of the man and his legacy. However, the necessary abridgement of text falls somewhere between simplifying his story enough to capture a younger readership and retaining enough of its context and complexity to satisfy those for whom this would not be an introduction. At more than 400 pages, it is around twice as long as the norm for graphic narratives, and Anderson does a solid job with the narrative arc, showing how the young ardent idealist, educated as a physician, became synonymous with heroic revolutionary commitment, which ultimately led to his falling out with Fidel Castro. No one was more committed to the Cuban revolution that the Argentine, who subsequently felt that Soviet support had made Cuba a pawn in negotiations with the United States. Guevara took his revolutionary spirit elsewhere, seemingly hoping to export it. Long after his execution in Bolivia, “Che lives” remained a rallying cry. The narrative also hints that Guevara could be ruthless in his devotion—“innocent people will have to die”—and that he abdicated his familial responsibilities. He remained a Stalinist and called his son “Little Mao.” He was very much a figure of his times, and those times had a complexity that can be tougher to translate into a form that values an uncluttered simplicity.
A valiant effort and a visual triumph, though the necessary abridgment compromises the depth.Pub Date: Nov. 13, 2018
ISBN: 978-0-7352-2177-2
Page Count: 432
Publisher: Penguin Press
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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