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BATTLE BUNNY

An enthusiastically taboo, devil-may-care outing for combat fans—and a great writing inspiration to use on old books headed...

What if a creative, military-obsessed kid took a pencil and went to town on a boring old book?

This bold premise will cause some eye-popping as the Don’t Write In Books rule is gleefully violated. Scieszka and Barnett’s story is laid over a particularly saccharine and tepid picture book, a gift from Gran Gran to Alexander for his birthday. “Everybody needs a Special Thinking Place,” the text coos. “Where is your Special Thinking Place?” In the foundation story, Birthday Bunny anticipates birthday gifts, finds that his friends have forgotten, pouts, gets a surprise party and learns a lesson. Myers’ underlying oil paintings—some covering a whole page, others oval-shaped on faded cream paper that’s yellowing at the edges—feel decidedly old-fashioned. But neither prose nor pictures are safe from the pencil bandit. Copious words and fragments of words are struck through (though all remain clearly legible), with new words and letters hand-printed above. Careful, childlike pencil drawings (realistically smudged) enhance and completely reflavor the original paintings. Birthday Bunny is given an eye patch and a WWF belt, becoming Battle Bunny: “I am going to whomp on you, bird brain, and pluck you like a sick chicken!” Bunny’s weapons include megatron bombs and robot killer bees. “He went back to digging” becomes “He went down for the count.”

An enthusiastically taboo, devil-may-care outing for combat fans—and a great writing inspiration to use on old books headed for the bin. (Picture book. 5-10)

Pub Date: Oct. 22, 2013

ISBN: 978-1-4424-4673-1

Page Count: 32

Publisher: Simon & Schuster

Review Posted Online: Aug. 13, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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