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MATH CURSE

Name: MATH CURSE
Author: Jon Scieszka
ISBN: 0-670-86194-4

by Jon Scieszka & illustrated by Lane Smith ‧ RELEASE DATE: Oct. 1, 1995

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An unsuspecting student falls victim to the Math Curse when her teacher notes that ``You can think of almost everything as a math problem.'' Suddenly, everything is: ``I wake up at 7:15. It takes me 10 minutes to get dressed, 15 minutes to eat my breakfast, and 1 minute to brush my teeth . . . if my bus leaves at 8:00, will I make it on time?'' If it's not a time problem, it's equivalents (``How many inches in a foot?''), multiplication, nondecimal numbers, money combinations, and more. What's the cure? It comes to her in a dream: A problem with an answer is no problem at all. Smith's big paintings-cum-collage are, as usual, way strange, perfectly complementing the wild, postmodern page design with concatenations of small objects, fragments, and geometric shapes and figures, all placed on dark, grainy backgrounds. Another calculated triumph from the fevered brows that brought forth The Stinky Cheese Man (1992) and other instant classics, this one with a bit of brainwork deftly woven in. Readers can check their answers on the back cover. (Picture book. 7-9)

Pub Date: Oct. 1, 1995

ISBN: 0-670-86194-4

Page Count: 32

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1995

Categories:

CHILDREN'S CONCEPTS

- BOOK REVIEW
THE REAL DADA MOTHER GOOSE
by Jon Scieszka ; illustrated by Julia Rothman

- BOOK REVIEW
ASTRONUTS MISSION THREE
by Jon Scieszka ; illustrated by Steven Weinberg

- BOOK REVIEW
ASTRONUTS MISSION TWO
by Jon Scieszka ; illustrated by Steven Weinberg

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LITTLE DAYMOND LEARNS TO EARN

by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

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How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

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MONSTER MATH

by Anne Miranda & illustrated by Anne Miranda ‧ RELEASE DATE: Aug. 1, 1999

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Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)