by Jonah Berger ‧ RELEASE DATE: June 14, 2016
Of particular interest to those selling messages of various stripes—marketers, advertisers, etc.
If Johnny told you to jump off a cliff, would you do it? If you’re susceptible, like most people, to garden-variety social influence, then the answer is likely to be yes.
Nearly 60 years ago, Vance Packard wrote in The Hidden Persuaders of the power of psychologically shrewd advertising to induce desires for things we didn’t know we needed. Drawing on decades of later research, Berger (Marketing/Wharton School, Univ. of Pennsylvania) picks up where his Contagious: Why Things Catch On (2013) left off to explore why we desire what we do—and more, why we act as we do, politically, socially, economically, and emotionally. Though we enjoy independence, writes the author, we respond to social influence. Our tastes shift to accommodate the opinions of others, and the more time we spend with others, the more our opinions change—until, that is, we reach a saturation point, whereupon familiarity can breed contempt, challenging those who profit from our patterns to keep things interesting, since “the more complex the stimulus, the less likely the habituation.” Some of us are likely to change things up when they’re not interesting, but others habituate, and still others habituate while trying to stand out a little. As Berger writes, newly minted attorneys often reward themselves with BMWs, status symbols par excellence, but one wishing to signal independence will buy an orange one. Should we pick lawyers by the color of their fetish objects? Perhaps, but if we’re influenced to value daring, the legal eagle with the bright ride may be the one to snag. Influenced, we might guess, by genre conventions, Berger doesn’t avoid the gee-whiz tropes of pop science (“But science doesn’t just happen in fancy labs. It’s happening all around us, each and every day”). Still, he does a good job of distilling scientific insights into easily understood object lessons on social psychology.
Of particular interest to those selling messages of various stripes—marketers, advertisers, etc.Pub Date: June 14, 2016
ISBN: 978-1-4767-5969-2
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: April 18, 2016
Kirkus Reviews Issue: May 15, 2016
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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