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BARACK

Winter brings all the passion he can muster to this picture-book biography of the Democratic presidential candidate, to whom he dedicates the book. Questions of identity form the theme of the brief account, as young Obama’s family forms, fractures, re-forms in Indonesia, only to dissolve again. Who am I? and Where do I belong? become the touchstone questions as the text confronts his ethnic identity—“Barack’s mother was Caucasian. His father was African. So what did that make Barack?”—and draws the conclusion that “no matter where he was, the world was his home.” Both text and illustrations take advantage of loaded images: One double-page spread places a grown Obama, head bowed, before the Washington Mall’s Reflecting Pool, the Lincoln Memorial (impossibly foreshortened, so its top is level with Obama’s head) in the background; one passage describes a rally in historically freighted Birmingham. There’s no effort at nonpartisanship, making Obama something of a Messiah figure come to save America at its darkest moment—but it sure is heartfelt. (author’s note) (Picture book/biography. 5-9)

Pub Date: Oct. 1, 2008

ISBN: 978-0-06-170392-8

Page Count: 32

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2008

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ELEANOR

"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)

Pub Date: Oct. 1, 1996

ISBN: 0-670-86159-6

Page Count: 40

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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REACHING FOR THE MOON

In first-person voice, Aldrin highlights points from his childhood that led to his dream of being an astronaut and making the historic moon landing. Coincidental details like his mother’s maiden name, “Moon,” and his favorite movie hero, the “Lone Ranger,” suggest clues to his destiny. After West Point, he joined the Air Force because “he wanted to fly more than anything.” Minor’s usual beautiful and realistic illustrations effectively convey spatial perspectives and movement, adding depth to the narrative. However, the cover design and type layout are confusing, indicative of a biography instead of an autobiography—a brief intro could have clarified it. Aldrin’s message in an author’s note avows, “If you set your sights high, you may accomplish more than you ever dreamed.” Pair this with Don Brown’s One Giant Step for a child’s-eye view on space exploration. (Flight/space exploration chronology) (Picture book/biography. 6-9)

Pub Date: June 1, 2005

ISBN: 0-06-055445-2

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2005

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