An energetic and affectionate introduction to an artist who was always somewhat larger than life.
A terrific opening—a serene, classical landscape interrupted by Pablo Picasso’s exuberant burst through the canvas of this bucolic scene—leads into a simplified look at Picasso’s artistic development from adolescent prodigy through his 20s.
From Picasso’s “blue” period in Paris through his cheerier “rose” period, the young “Mr. Big Famous Art Star” still beloved of critics discovers the visual power of African masks, eventually producing the surprising Les Demoiselles d’Avignon. Winter charts the course of an artist determined to travel by his own compass. He depicts the young adult Picasso beset by critics on every side (including an unnamed wife—“Why can’t you keep painting beautiful pictures?”—though Picasso would not actually marry any of the women in his life until much later). Hawkes’ vibrant, full-bleed illustrations offer Picasso as a superhero of sorts, red cape included, dashing as his artistic muse might inspire, and faithfully reproduce a few familiar works. A bit of magical realism intrudes as Picasso floats through Paris and later when “Picasso expands himself to a height of one hundred feet” to face down his critics. A mere taste of the iconoclastic artist emerges, but an essential point is conveyed—that Picasso understood that art is more than the eye perceives as “real.”
An energetic and affectionate introduction to an artist who was always somewhat larger than life. (biographical note) (Picture book. 5-10)Pub Date: Feb. 1, 2012
ISBN: 978-0-545-13291-6
Page Count: 48
Publisher: Scholastic
Review Posted Online: Jan. 3, 2012
Kirkus Reviews Issue: Jan. 15, 2012
A beautifully designed book that will resonate with children and the adults who wisely share it with them.
An inspirational ode to the life of the great South African leader by an award-winning author and illustrator.
Mandela’s has been a monumental life, a fact made clear on the front cover, which features an imposing, full-page portrait. The title is on the rear cover. His family gave him the Xhosa name Rolihlahla, but his schoolteacher called him Nelson. Later, he was sent to study with village elders who told him stories about his beautiful and fertile land, which was conquered by European settlers with more powerful weapons. Then came apartheid, and his protests, rallies and legal work for the cause of racial equality led to nearly 30 years of imprisonment followed at last by freedom for Mandela and for all South Africans. “The ancestors, / The people, / The world, / Celebrated.” Nelson’s writing is spare, poetic, and grounded in empathy and admiration. His oil paintings on birch plywood are muscular and powerful. Dramatic moments are captured in shifting perspectives; a whites-only beach is seen through a wide-angle lens, while faces behind bars and faces beaming in final victory are masterfully portrayed in close-up.
A beautifully designed book that will resonate with children and the adults who wisely share it with them. (author’s note, bibliography) (Picture book/biography. 5-8)Pub Date: Jan. 2, 2013
ISBN: 978-0-06-178374-6
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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