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THE GIRL WHO SAVED THE KING OF SWEDEN

Definitely not a book for sourpusses. The rest of the world will chuckle all the way through it.

A funny and completely implausible farce about a woman, a bomb and a man’s frustrated ambition to overthrow the king of Sweden.

Nombeko Mayeki is a 14-year-old latrine cleaner in apartheid-era Soweto who is exceptionally good at her job. Because of her race, she is incorrectly presumed to be illiterate. She gets another job as the housemaid of the nuclear engineer in charge of South Africa’s secret program to build six atomic bombs, and in her spare time, she masters Wu Chinese at the library in Pretoria. The engineer is an incompetent fool who accidentally builds a seventh bomb that remains a secret even to his bosses. Soon, Nombeko ships two crates: dried antelope meat to feed herself as she escapes to Sweden and the 1,700-pound atomic bomb the engineer wants sent to the Mossad in Israel. But the packages get switched, and for years Nombeko carts a 3-megaton bomb around Sweden while the Mossad doesn’t know what to do with the antelope meat. Meanwhile, Ingmar Qvist’s lifelong dream is to abolish the Swedish monarchy. He indoctrinates his identical-twin sons, both named Holger, to carry on after his death. But Holger One is an idiot, and Holger Two, whose birth was not registered and who thus technically doesn’t exist, is intelligent. Because Nombeko is an illegal immigrant, she doesn’t exist either. And of course the bomb doesn’t exist. Can Nombeko and Holger Two prevent the idiot anarchist Holger One and his idiot girlfriend, Celestine, from blowing up the king, themselves and a sizable chunk of Sweden? Author Jonasson is wickedly inventive with a constant flow of absurdities, for which his narrator blames the Almighty: “If God does exist, He must have a good sense of humor.” This book follows Jonasson’s equally crazy The 100-Year-Old Man Who Climbed Out the Window and Disappeared (2012).

Definitely not a book for sourpusses. The rest of the world will chuckle all the way through it.

Pub Date: April 29, 2014

ISBN: 978-0-06-232912-7

Page Count: 400

Publisher: Ecco/HarperCollins

Review Posted Online: April 15, 2014

Kirkus Reviews Issue: May 1, 2014

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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