A gripping account of life in captivity and humankind’s ongoing relationship to war.
Syria’s bloody civil war swallows up an intrepid French-American photojournalist secretly struggling with his own ambivalence about the seductive nature of conflict and violence.
In 2013, at various points in his 81 days of captivity at the hands of a ragtag force bent on toppling President Bashar al-Assad, Alpeyrie alternately found himself fantasizing about fighting his kidnappers and dashing for the hills at the earliest possible opportunity. There were also those times when he longed for the chance to sit and watch Arab variety shows with his tormenters. That the author wound up on Facebook at the conclusion of his punishing ordeal, curious about the welfare of the same gunmen who terrorized him for almost three month highlights the depths of inner turmoil roiling inside the veteran photographer. It was Stockholm syndrome coupled with a journalist’s heightened ability to recognize all angles of an evolving story. Alpeyrie’s often harrowing biographical tale is split between his time in Syrian captivity and his life immediately after a hefty ransom was paid for his release. Like many who have come before him, the author’s dance with death left him yearning for even more dangerous adventures. Readers hoping for special insight into the geopolitical issues involved in the Syrian War will come away disappointed, as Alpeyrie views the ongoing carnage in the Middle East as a sort of inscrutable mess. “From a wide-angle perspective,” he writes, “this whole Syrian War struck me as a historical clusterfuck that could even help set off some global Armageddon.” What the author does offer is a chilling tale about how he managed to win the fragile esteem of his captors while simultaneously keeping his fried nerves from completely shorting out, as well as his personal take on armed conflict and global jihad.
A gripping account of life in captivity and humankind’s ongoing relationship to war.Pub Date: Oct. 10, 2017
ISBN: 978-1-5011-4650-3
Page Count: 272
Publisher: Atria
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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