Whimsical fantasy with the right amount of speed and cleverness for the audience.
A series opener about a caretaker of stables for magical and odd creatures.
Auggie is the caretaker of the mysterious Professor Cake’s Fabled Stables, home to one-of-a-kind creatures of all sorts. As the only boy on Professor Cake’s private island, Auggie’s lonely—the closest thing he has to friends are Miss Bundt (who he suspects was once a pirate) and Fen, a literal stick in the mud (who transforms to aid Auggie in his jobs and is not keen on friendship). One day, a new stall suddenly appears in the stables, meaning a soon-to-arrive creature is in trouble and needs rescue. Auggie must use his cleverness and resources to rescue Willa—a playful, shape-shifting, newborn wisp—from three robed hunters. When the hunters catch them and threaten Willa to try to get at a nonexistent treasure, Auggie cleverly tricks them and summons a rescue from a not-as-apathetic-as-he-pretends Fen. But back at the stables, Willa’s still not out of danger—wisps are moon creatures that only last for one night….The straightforward plot never allows tension to simmer too long without relief for the young audience; add in the comedically inventive creatures, and this book is calibrated to please. The full-color artwork throughout is vibrant in its shading and dreamy in execution, physically grounding the story while enhancing its fantastical otherworldliness. Auggie is depicted with beige skin and brown, curly hair and Mrs. Bundt with blue skin and hair; the hunters are diverse both racially and in gender.
Whimsical fantasy with the right amount of speed and cleverness for the audience. (Fantasy. 5-9)Pub Date: Oct. 20, 2020
ISBN: 978-1-4197-4269-9
Page Count: 96
Publisher: Amulet/Abrams
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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