If you love novels set in the world of moviemaking, this is as good as the best of them.
A 50-something film composer meditates on the summer of 1977, when she worked with director Billy Wilder on one of his last films.
As her own daughters prepare to leave home, Calista Frangopoulou, born in Athens, now living in Britain, thinks of the backpacking trip she took at 21 to the United States. A friend she made on her way west invited her along to a dinner in Hollywood arranged by her father. As it turned out, their companions were Billy Wilder, who owned the restaurant; his wife, Audrey; his writing partner, Iz Diamond; and Iz's wife, Barbara. Though the girls were wildly underdressed and totally out of their depth, and though the friend absconded halfway through the meal and the Wilders had to have the drunken Calista sleep on their couch, she made such an impression that she was brought on to be their interpreter when they went to film Fedora in Greece the following year, then continued on during shooting in Germany and France. There is so much to enjoy about this book, which is rooted in extensive research about Wilder's life and the making of Fedora, including the recollections of someone who actually lived a version of this experience—and yet it reads like a fairy tale. Calista forms deep relationships with both Billy and Iz and changes from a naïve know-nothing to someone with a deep understanding of the impact of World War II on a generation of artists. "I realized that for a man like him, a man who was essentially melancholy...humour was not just a beautiful thing but a necessary thing, that the telling of a good joke could bring a moment, transient but lovely, when life made a rare kind of sense, and would no longer seem random and chaotic and unknowable." She also finds along the way the inspiration for her own future career as a composer of film scores. Beautifully written and full of wisdom, this unusual and fascinating book contains many treats, including a miniscreenplay done in Wilder's style and an unforgettable scene in which Calista and Billy sample Brie de Meaux on a French farm where it is made.
If you love novels set in the world of moviemaking, this is as good as the best of them.Pub Date: Sept. 27, 2022
ISBN: 978-1-60945-792-1
Page Count: 256
Publisher: Europa Editions
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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