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ALI

A LIFE

An exemplary life of an exemplary man who, despite a few missteps, deserves to be remembered long into the future.

Muhammad Ali (1942-2016), the recently departed, self-styled greatest, gets an appropriately outsized—and first-rate—biography.

Ali, who began boxing as a professional nearly 60 years ago, was not exposed to much in the way of literature early on; he complained that his own supposed autobiography “made me look like a fool” and added that, after all, he’d “never read a book in my life.” However, as Wall Street Journal contributor Eig (The Birth of the Pill: How Four Crusaders Reinvented Sex and Launched a Revolution, 2014, etc.) makes clear, Ali was possessed of a certain kind of poetic genius on top of a gift for self-appreciation to which layers of legend would be added. As an instance of that mythologizing, it is certain that when facing the draft in 1966, Ali said, “I ain’t got no quarrel with the Viet Cong”—but the more commonly quoted rejoinder, “No Viet Cong ever called me nigger,” was added on, something that African-American protestors had said of the Vietnam War before Ali’s number came up. In charting Ali’s life, which was marked by plenty of personal difficulty but by a relatively comfortable upbringing, Eig observes that he seldom shied from controversy but, though reviled by some for becoming a Black Muslim and for some of his well-aired public statements, was also widely recognized for his talent. The opponent he beat in his first professional fight as an 18-year-old Cassius Clay, a West Virginia police chief, said, “He’s a very good boxer for a kid; best I’ve met for a boy just starting out.” Other opponents would have similarly high regard, though not without talking a lot of smack. Eig does a fine job of covering all the bases, and though the book is occasionally overwritten, it’s only out of enthusiasm for his undeniably great subject, about whom the author is now working with Ken Burns to develop a documentary.

An exemplary life of an exemplary man who, despite a few missteps, deserves to be remembered long into the future.

Pub Date: Oct. 3, 2017

ISBN: 978-0-544-43524-7

Page Count: 640

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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