A profound, harrowing examination of violence in the 21st century.
In this debut novel, a man becomes obsessed with tracking the online identity of a person who may be behind a string of shootings.
When 50-something Jack Warner hears of a tragic shooting at a local Missouri high school, he’s angry. Though the transportation logistics analyst has no kids, the violent event triggers his outrage over such things as corrupt businesses and “soulless” news broadcasts. But he’s even more distraught by what he sees on his 23-year-old nephew Luke’s computer screen. Luke is using EasyChat, the same online group the high school shooters utilized, and it seems the individuals in a particular chat room are championing the boys’ lethal actions. Jack asks his nephew for the chat room’s password and zeroes in on the moderator, who goes by the handle Fonzie. Jack tracks Fonzie on other sites, like Instagram, and is gradually fascinated by the grisly, deviant content of these online discussions. Then there’s a series of shootings, including at a nearby mall, and Jack believes he may already have his eyes on the person responsible. His obsession grows, as he gains illicit access to police records so he can follow the official investigation and purchases a weapon of his own—not a handgun, but a sniper rifle. Jack is on morally shaky ground since he’s not quite sure how connected Luke is to the group. But he may be in physical danger as well, as it’s easy for any of the chat-room regulars, especially the shooter, to pinpoint his IP and home addresses. Epps’ grim novel is an incisive look at people’s responses to violent tragedies. Jack, for one, toys with the notion of vigilantism, which fortunately the story never glorifies. In fact, in an early scene, Jack’s encounter with “thuggish-looking fellas” outside a convenience store fails to take the perilous turn he apparently anticipates. While Jack’s behavior borders on paranoia over gun-toting teens, it’s clear he’s also attempting to understand those disturbed enough to resort to mass murder. That’s why he initially frequents the chat room and makes efforts to reach Luke, whose angst is palpable. At the same time, the author deftly contrasts Jack with Kathy Cray, a teacher he worked with when he was in the same profession. Back then, her method of handling a troubled male student was to treat him as a problem to be discarded rather than getting the boy help. Epps smartly incorporates social media into the plot and criticizes the users more than the sites themselves. For example, Jack’s online presence ultimately strains his relationship with his girlfriend, Penny Grierson, which he rightly blames on his obsession. His chronic despondency carries over to the arresting but bleak prose. In one instance, he stands on his porch listening to “the sounds of the night” before imagining “people out there in the darker shadows, some dragging their feet like the walking dead, some scanning like predators, some cowering like victims.” Though most readers will predict a plot turn in the final act, two other twists are genuinely shocking and only further the narrative’s somberness.
A profound, harrowing examination of violence in the 21st century.Pub Date: Dec. 1, 2019
ISBN: 978-0-578-61739-8
Page Count: 224
Publisher: Mess Hall Press
Review Posted Online: Feb. 12, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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