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SEX MONEY MURDER

A STORY OF CRACK, BLOOD, AND BETRAYAL

A disturbing yet necessary, significant book by a journalist willing to place himself in danger.

The bloody history of a violent Bronx-based gang in the middle of the crack epidemic.

Journalist Green (Murder in the High Himalaya: Loyalty, Tragedy, and Escape from Tibet, 2010) initially focuses on the Bronx during the 1980s and ’90s, digging deep to explain how it became infested with gang-related shootings and a massive wave of deadly drug abuse. The author then moves the narrative into the present, explaining why crime has returned to the Bronx in full force after a temporary reduction. Although the saga is populated by a variety of vivid characters, Green emphasizes the importance of winning the trust of two veteran New York City policemen, John O’Malley and Pete Forcelli, and two lifelong Bronx-based criminals with experience inside the gang known as Sex Money Murder. Though the African-American gangsters, Pipe and Suge, felt no reason to trust Green, a white man with a British accent, they reluctantly met with him at the behest of O’Malley and Forcelli, who had helped bring them to justice and then encouraged them to leave their lives of crime. (Pipe mostly succeeded in becoming a law-abiding citizen, while Suge mostly failed.) The author realized the difficulties inherent in verifying much of what he heard from the gang members, and he labored mightily for confirmation by checking court records, police reports, and photographs as well as by interviewing prosecutors and defense lawyers. The bloodiness of the SMM–related crimes, as well as the lack of contrition from Suge, Pipe, and their cohorts, may turn off some readers, but Green’s insights into a culture unavailable to most readers are invaluable. As the author writes, “just north of my Manhattan apartment was a world as dangerous as any I had experienced as a journalist reporting in the favelas of Brazil, the garrisons of Kingston, Jamaica, or the killing fields of Colombia.”

A disturbing yet necessary, significant book by a journalist willing to place himself in danger.

Pub Date: May 15, 2018

ISBN: 978-0-393-24448-9

Page Count: 384

Publisher: Norton

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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