A well-researched, engagingly written history of American popular culture, told from an unexpectedly revealing angle.
Shalom, partner.
Westerns are a staple of the Hollywood tradition. They represent ideals of American individuality, communal governance, and a reverence for the land. They also raise questions about the treatment of Native Americans, the inherent racism and inequality of American institutions, and the pervasive violence that governs our relationships. Jewish men and women were, from the outset, at the heart of Hollywood. Jewish producers, writers, and actors shaped our sense of heritage and landscape. This imaginative and often witty book illustrates the centrality of Jews and Jewish themes in the Western. Friedmann, the director of the Jewish Museum of the American West, explores a range of “recurring Jewish tropes and motifs” in film and television Westerns: masculine identity, personality types, occupational niches, survival strategies, intermarriage, racism, and marginalization. His book presents a series of close readings of the Western canon—Cimmaron, Shane, The Searchers, High Noon, Deadwood—to see how Jewish figures (explicit and implicit) serve as foils for American male identity. Best is the treatment of the Jewish merchant, from Levy in Cimmaron to Sol Star in Deadwood. Most provocative is its celebration of Mel Brooks as the anarchic critic of American ideals in Blazing Saddles. The book also examines how Jewish émigré composers created the Hollywood film sound and how the arching, aching strains of Max Steiner, Aaron Copland, and Dimitri Tiomkin gave voice to a longing to fit in. For Steven Spielberg, the Western shaped the heroic and artistic ambitions of the outsider, as in the animated adventure An American Tail (with its mouse, Fievel Mousekewitz). In the end, the Western offers tales of “personal tragedies papered over by the American dream mythology”—a statement that says much about the lives of all of us, regardless of religion or descent.
A well-researched, engagingly written history of American popular culture, told from an unexpectedly revealing angle.Pub Date: June 3, 2025
ISBN: 9780299352103
Page Count: 264
Publisher: Univ. of Wisconsin
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
Cogent, well-timed ideas for meeting today’s biggest challenges.
Helping liberals get out of their own way.
Klein, a New York Times columnist, and Thompson, an Atlantic staffer, lean to the left, but they aren’t interrogating the usual suspects. Aware that many conservatives have no interest in their opinions, the authors target their own side’s “pathologies.” Why do red states greenlight the kind of renewable energy projects that often languish in blue states? Why does liberal California have the nation’s most severe homelessness and housing affordability crises? One big reason: Liberal leadership has ensnared itself in a web of well-intentioned yet often onerous “goals, standards, and rules.” This “procedural kludge,” partially shaped by lawyers who pioneered a “democracy by lawsuit” strategy in the 1960s, threatens to stymie key breakthroughs. Consider the anti-pollution laws passed after World War II. In the decades since, homeowners’ groups in liberal locales have cited such statutes in lawsuits meant to stop new affordable housing. Today, these laws “block the clean energy projects” required to tackle climate change. Nuclear energy is “inarguably safer” than the fossil fuel variety, but because Washington doesn’t always “properly weigh risk,” it almost never builds new reactors. Meanwhile, technologies that may cure disease or slash the carbon footprint of cement production benefit from government support, but too often the grant process “rewards caution and punishes outsider thinking.” The authors call this style of governing “everything-bagel liberalism,” so named because of its many government mandates. Instead, they envision “a politics of abundance” that would remake travel, work, and health. This won’t happen without “changing the processes that make building and inventing so hard.” It’s time, then, to scrutinize everything from municipal zoning regulations to the paperwork requirements for scientists getting federal funding. The authors’ debut as a duo is very smart and eminently useful.
Cogent, well-timed ideas for meeting today’s biggest challenges.Pub Date: March 18, 2025
ISBN: 9781668023488
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: Jan. 16, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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